LOVE IS DEAD
—love is dead. The slow
red rush, & in the absence of love we
raise steel walls
& castanet airs to dance
by. Love is gone
& all tenderness faded,
& in its place castles of knowing
in which we
pass our time from
hand to hand.
Hands which once pressed
earth into the shape of men & earth
into bowls for holding
nothing but sound, between sound
silence, melodic, & if dissonance
then beauty in dissonance as well, but always
the bowl,
shaped by hands,
made of earth & music
for lovers to dance by, & when the age
of dancing passed, to mourn by, & the when the age
of mourning passed, to burn
& lie in death.
GOD YOU ARE
if i begin to say i want this
to be the part of my body that touches
yours and i want the music in the next room
to stop
outside u-hauls move lives
the exact science of this is the science of moving whole
lives from one point to another as if life is a heavy shell on your back as if the only
point of my body is the one it makes when it shuts you in a dark room
called sex
is it your eyes i ask is it your eyes
things that are born and live in darkness (sea caves)
going to the next room and hoping you follow i say don’t fuck with the kid
who brought a gun back from easter holidays
don’t fuck
around i sleep but i only sleep around you
your body caught inside the curl of mine like a whisper as the sun waxes and wanes
late afternoon (we have come so far)
the sanctity fuck it the sanctity of life although i do not sanction
life i broke that fence but on this side of the century there are no sacred places
left there is no sanctity
no one listens to the music in the next room as i struggle to stay awake
clean thru to sunrise to see the new light examining the plane and scape of your face or as
i wait sober at the bar to know if it is me you think of home with
mostly or if night by night you carry your life with you as turtles do
(without asking i want nothing more than this)
as a turtle you do you are a bright thing born to darkness you are like birds’ nests thrashed
from trees in a hard rain or turtles’ eggs washed out to sea
if i begin to say but do not say that i will miss you do you hear it
do you listen in your sleep as i brush the light back from your face (your face)
bright thing as hard to look upon as the sun
as hard to leave as time behind
as hard to go as hard to go
VAL pt. 1
in the west covina walmart / the city
dimming dark as blackberries / your voice
sweat-damp / in the shimmer
of the frozen foods aisle / i am still
happy / i have been writing
and the sound of the gulls / melancholy
in the harbor / does not enter me
i do not / have friends
who hanged themselves / i do not
have notes / i tell you this because there is
a funeral tomorrow / and all my clothes
have turned to paper / so i am
writing you (i hope) / for polyester
on my knees beneath / a streetlight
the sun a memory / as thin as white sand
i sell it by the handful / here is
august in a saltshaker / will you taste it
here is / last summer if you
remember it at all / i remember
it was my hand with roses / it was my hand
these were the roses / your eyes in the sun
drawn soft as petals / your lashes
brushing the curve of your cheek / my hand
with roses / inside your hair
i buy a truckful of august / to give you
in bursts / until your mouth tastes of salt
your skin when i kiss you / even
the skin where your legs meet / where i
find my hand with / roses
in the marina i am haunted / i am
haunted by the darkness / of stormwater
of rain / of your breath on
the side of my neck / and if it hardens
into snow / if i harden it is for you
when you fall sublime as snow / i am
still happy / i fill your face in blue
even if it is / only a shadow i see
only the vague / outline of a woman
i capture / instead of you
and again it is later / again i do not see you
again your number goes / to voicemail
and again i know where you are / bird-soft
your voice / the sun setting
in the window / of your half-bath
the privacy of a tub / filled not with water
but with cleaning supplies / i hold you
you hold / the shower curtains shut
the music dimming / dark as blackberries
dark as your eyes in the / part-light
slow-crawling across the tile / near flight
LAX in the moonlight / grounded
at midnight / you kick snow
from where the streetcars / used to run
and i touch your face / in the haunting dark
as if it is strange / as if you are a stranger
there is a funeral tomorrow / do you
remember / it is yours
i will wear my big white plastic suit / i will
write to you / would you like that
the streets are moving / they turn to water
here is the moon and here is a river / remember
how the river rings / remember to ask for
your mail / before you go home
remember i know / how your ears fold
back against your head / and i have kissed you
there / (am i the only one)
the surface of the snow / black as carbon
in your hair / i am still happy
to be in love with you / though i love
an ever-girl / and i am still writing
as if you’ll hear it / as if your ears are deep
and i am diving / headfirst through cold water
the bay high-tiding / after the storm
your voice haunting in the dark / the narrow
dark / i am void of starlight
i will wear my big white plastic suit / lie in
bed for days / as the gulls begin
to congregate around me / i tell them that
the funeral is not here / california
does not see the rain / instead the storms
pour out a haunting dark / over santiago, santiago
all your white shirts grey with rain / where
the canyons split / the soft earth
to show skin / pale as spring leaves
pale as the stars in their sky-quiver / the night
june-soft and trembling / a summer
not yet drained of salt / and so i kiss it
from your neck / or so i say
for valentina, 1999-2020.
Even in stars, even in stars;
& even in the motion
of moonlight on the reservoir, even
reflection, the sink mirror
showing half of someone else's
face, even in the scree
that tumbles down from off
the freeway, even running, even
in stars, even in adelaide
& even in december, with this
summer sun as thin as dust, the air so
heavy with the smell of stars, but
even in stars, even in writing,
even in the tide rolling facedown
past the bait shop, even
your mother, framed grey in the
doorway of your childhood
bedroom, even floodwater, even
in stars, even at home
& even in dusk, when i am
looking in your window again, even
in the glare of headlights, once, twice,
the bottle shop eight blocks away,
even hesitation, the smell of
smirnoff on your breath, the smell
of stars, even then, even i flower
in amber tones, copper plate camera,
the white creek running through
your backyard, even in drought, even
in stars, even in storm
& even in the warm light
of your eyes, caught in amber (god)
if caught in amber, then even
your eyes, green eyes, the warm sigh
of your hands, even ash, even in
the mausoleum, even seven years, you
start the music playing, unfold
the corner of the duvet, even in stars,
a memory of your smile, a small
reminder of your shoulder, shoulder,
i chase you on & off the freeway,
listen to the music, even your laugh,
even in stars, even the amber
moon as it writes love songs on
the reservoir, even in darkness, even
in suburbia, even the shape you
left on the fold-out mattress, even
the smell of stars tumbling in
floodwaters from your skin, all of you
caught in amber, even this
half-bath, even your arms.
amalfi coast, winter ’19
listen to the way the sky moves:
a girl, bent half-spread over lilies
where the moon waxes & wanes,
gives voice to the sea as it
peers with longing
from stage left, reaching
thin fingers of salt into her body.
if the water moves then it is
asking you to come home, holding
an armful of lily-blossoms,
faces white as fear, white as the field
of skin where you find her thighs.
she shows you. she stupefies
even the moonlight as it passes in
& out of disguise: so here is august,
here is her body, & the shape
it makes on the fold-out mattress,
the heat it is against you,
& how soft they are (the sounds
it makes) if you touch her, if you
watch her like the sea does, quietly,
its salt like so much gasoline,
drawing sun into the night.
[the moment your skin ends]
& thru the world, fire
fire, fire; &
with a breath, your body births
a miracle
that is the music. if i shut
the door between the back porch &
the sun
room where
you had your first kiss
then it is the space between
your hand
& the white snake of the garden hose
the wild
flowers that fill the front yard
in summer; in summer’s gaping mouth
you blossom like wildflowers
wild
flowers in the valley your spine makes
thru your waist, your entire
body wet with summer as it
breathes you into miracle
this is the music
the sun makes in the
wild dark
the wild flowers filling the valley with
a smell like summer, hot as
fire, fire
& the sun in this room is
fire, fire
& the breathing of the garden hose
& the shape of my body filling yours
& the white snake of the saline drip
then it is your hand filling mine
& the heat of you there is
fire, fire
& the heat of your mouth is
fire, fire
at the moment your skin ends
i leaves:
in time, the stars begin to open. i run to where the sand is and you blind my son. i come close to epiphany: some broken strain of music that starts to play in an empty room, and as you open doors it becomes louder. you, the stars that are your eyes, the sea lifting against you so in the sun you break, just slightly. you were a young girl. the smell of blood in your hair, your body innumerating in reflection as light grows inside the belly of darkness, light that comes between buildings and i decide how far to love you, if i can sleep tonight.
Don’t Hold Your Breath
You’re my first breath in the morning. Eyes still closed, inhale. Skin-excite. Lung-scorch. Possible poison. Possible free-fall. With you as the air crumbling my skeleton. I am aching between each rib as they crack under the pressure of you as gravity. My days pass as storm clouds. Panic-rush across my hairline fractured sky. And I still weigh more than the room around me as I plummet. And I’d say you’re my last breath at night, but let’s be honest. That would require letting go, and I’ll never breathe you out.