Portrait of you as my grief; portrait of me as your exhibit
You say so many words for distance
that I begin to measure breadths
everywhere—
(I’m always short, the amount I am)
I want to claim I’m past my grief’s
whooping—but I still hear it.
(You’re water, we’re in each other)
Post-swim, I shake some of you
out through my ears. Listen,
I would choose not to love you.
(if I could)
I tell my body to steer my heart’s
helm, wear the suit. I captain myself.
(I control the ache that I am)
Except the suit scratches, the boat
won’t move, I am posing with the display
inside of your museum—
Eyes Green With Fever
She had tattoos
& bright red shoes;
her eyes were green with fever.
I ran away
& hid all-day
for fear her gaze might melt me.
But then she flew
& my fears grew.
“Was she a Saint or Satan?”
With fear I fell,
& stared at Hell.
“Dear God, please now, forgive me!”
But when she smiled,
I was beguiled —
since then I’ve never left her.
Copyright 2021
when it rains
i think about you
and us and ficuses,
how they can only drink
so much water
before they sputter.
noon on some sunday.
you wrapped around me,
bow-ish, like a pret
cinnamon roll.
everyone warns you
of the rain in london,
but no one ever mentions
its lulls of sun.
you’d come to my room
with mochas for hands.
when it rains, it doesn’t pour
like it used to.
i don’t miss you anymore.
we drank each other up,
took what we needed,
made for an ethereal story.
now, i want a love
that wags its tail
each morning,
that will follow me
from here to home.
Bastards
How can you hate birds? -Ada Limón
They fly tiredless, uneven,
equal to nothing but each other,
parallel to God—that’s it,
they’re too close.
They can hear God and we can’t,
is that it? That their wings
block the skies so our prayers
sound like static? Crackles of wants.
So much feather to plow through.
And they’re loud, too. All that singing
outshouts ours, so our choirs
are useless. No, there’s no point
in singing if God can’t hear us,
our roasted lips ever-trying
to chirp harder than those birds.
Our words muddle, our priests
buy boomboxes. Those bastards.
Should we call them bastards?
They’re eating up all our confessions
and shitting them right back down onto us,
and here we are, breathing,
our dumb mouths wide open.
ode to the man on a first date in coat check coffee who tells his date his favorite fruit is watermelon
and she nods, surprised,
although she probably doesn’t mean it
because watermelon is not a surprising fruit
to love, especially
in the summer when it is warm
and you want wet teeth and drenched tongue
to slip you out of heat like your mother
pulling your checkered dress off over your head
still, you sip the juice
and say watermelon is your favorite fruit
at risk of mockery
even though there is nothing wrong
with obvious love
which is just as good as subtle love,
as there is still bravery in loving
something so completely obvious
because everything needs a hero
and everyone needs to be one
and there is bravery in that
and in telling her that you like to watch movies
because she may not like movies
or melon or how the juice melts
when you cut past the skin
she may not like anything about you
especially your crop-circle hair
or your pipe-tube glasses
still, you try to make space
for a place where the two of you
could thrive—somewhere
where there is sunlight
and a running hose snaked
across the cement watering
fresh sunflowers outside a window
where you sit together
on a porch, the two hands
of yours that aren’t touching
each holding a watermelon slice
When I Asked You to Touch Me
You paused like a penguin unsure
before the dive. Thoughts like
what if a leopard seal sees me.
What if the water’s cold.
What if I regret the swim,
and I am left forever wet.
I understand—my body is scary,
is raw. You cry over me
as if I am onion. But I want you
to choke me down,
even if it hurts.
I am desperate.
I am half-rabid beneath polyester,
my desire leaking out
like an open wound.
My terms. My open legs.
Here, in Indiana, I reclaim me.
New York is just a haunt now,
a bulldozer that scoops me up
each night only to drop me down.
But tonight I am asking you to make me.
It has been months since a man
has built me well.
Picking Tomatoes
You have to pick the bad ones, too,
or else they’ll rot the rest. This phenomenon
could likely metaphor for gun violence:
confiscate all of them, all. I want to say
there is no violence in my garden.
The dirt is calm, combatless,
but I know this to be untrue.
There are spiders battling beetles
for shelter, the leaves begging
for mercy as the beetles munch
on their stems. Little wars still
matter even when we can’t see the blood.
I can only watch and marvel
at this strange beauty—not the guns—
but the moving, this constant
rebuilding after all’s broken.
I want to uproot myself daily,
but that’s comparing me to a flower,
and I know photosynthesis is a secret
that I will never be told.
Here I am, my knees drowned
in soil, spills of sweat on my skin,
caring for the world in ways
it will never care for me.
Golden Shovels after Lorde
Wait for It
Here is how I let you go: I’m
waking up my numb fingers, waiting
on nothing anymore. Everything ends for
me this time. I’ll name my darlings, my hurt. No more it.
I’ll swallow brass cogs, punch clocks, beat that
awful ticking, only eating lettuce in green
dresses now. Hear me overthrow light.
Rosier, more elephant, I
promise, what I want
to say—I’ll say it.
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Secret Power
The first thing I did was call myself I
again, almost as if all the love
we’d had was my water bucket. It
poured over me, led me here
to a place I’d forgotten since
us: this cavern, this ribcage, what I’ve
been so afraid to scavenge. I’ve stopped
wanting to hide my gloves now. My dirt is needing
tending. My plants are thirsty, are dying, are you.