
White Elephants
The unthinkable
tastes like the peak of a fable, rolled around in
my beautiful mouth like anise, a cold syrup
pooling at the base of my throat, spreading across my collarbone.
Whose hand is this, linking with mine?
Whose voice is this, whispering in my ear, asking me
to pray? I've forgotten too many of you
to keep track of anymore.
Outside, I feel the earth binding itself, ribs knitting, scabs
sugaring over the wounds. The oak doors are seven hundred years old,
the woman tells me; it is late at night, and very cold
and the cathedral is a stone mountain pressing down on us.
I hadn't meant to stop here, I almost feel the need to tell her this.
What brings you here tonight, she asks, and I suppose for a moment
she is a nun, sent out to fetch the lost souls of the night.
It is my birthday, I answer, as if this explains anything.
Many returns of the day,
she says.
Yes. I say. Yes. and thank you.
She leaves when the bells begin to toll, and I shiver
at being alone.
Carved granite faces stare down. I feel a hand on my shoulder,
turn, gasp and roll my eyes.
Heat down the back of my neck.
A stitch bursts. Somewhere a rock rolls down a hillside.
The bell rings itself out, the city sleeps on, ignorant.
Deep breath now, and the cold sliding up my calves through my shoes.
Pray? That's your advice?
Well, I've heard worse. Pick a god, then.
I was eleven years old when a grown man told me I was beautiful
and it all went downhill after that. But it was like sunshine,
like a wheatfield in the summer, the coast nearby and filling the air with
the idea of
brine and slippery things. Yes, I could have laid down in the field
among the stalks of wheat, hidden. I know that now. I could have even filled my pockets and gone home and made bread
and sat in a chair in front of the oven and felt the warmth of created things, of
handcraft and earth. Something at the back of the tongue, sticky,
salty, will not go down. Instead I stood and waited for the colors of names of god
to swirl about me like a cloak, wrap me like loving arms, lead me past walls
of stone into a circle of people who also feel the blood of the earth
coursing in underground veins, and light at all hours
and whose voices sang in the endless blackness between stars, calling or praying
to the god of being listened to for once,
to the god of a peaceful and loving family of your own choosing,
to the god of remaining small and overlooked,
to the god of finally, dear god, getting something I want,
to the god of knowing better next time.
Love twisting like a hand around a shepherd's crook,
the fangs of forgiveness sunk deep and drinking,
the throat choked with
almost words.
The smell of bread, of cold wet stone,
licorice.
Alpine
Does this maudlin paint
give me an air of vitality? of bargaining? Cheating?
On the phone all day, learning about
health insurance benefits; be simple, be easy my heart.
This, the last, dead week of the year,
where everyday feels like Sunday evening
rattles the frame of the window looking out on the canal. I
cough
the name of someone I used to love, or who loved me,
I can't really remember; last spring they found a body
in that flow
just below my window and for
week I could not sleep.
Angle my face in the mirror
just the right way, and I could be floating in grey water.
Sometimes I would sit on the balcony and play the concertina
and the woman across the canal would play her spinet.
We would keep time
with the great kick drum, tossed into the cavity under
the broken ribs of the earth
and stitched back together with our human heartbeats and this
is why every man and woman and child
has a song in them, even if they ignore it.
But we have never met each other.
The glass is cold against my cheek, the hot is on the other
side of my skull, burning outward.
Smudge on my fingers, cheek, under my eyes.
The room is cold, with the windows open, sweat still
slithers down my spine, a frozen coin down its slot.
Look at this face, lined now and still young somehow;
I'm cruelly vain, this I cannot bear.
Something, the vent or a car outside, spits my name
and I sit up, head swimming, blood sloshing,
my mouth filling with copper.
One of these Sunday evenings this week I will take a hammer and
drive a nail into my molars
and then everything will be
as it should be
like that day in 1916 when more than 800 people from all over the world
claimed to have seen Charles Chaplin at the exact same moment in the flesh.
Later, his body was stolen from its grave. How are these two
things connected? At the pharmacy, the girl showed me how to put the drops
under the tongue instead. God bless her, god bless the nurses and
the morticians.
I should pack a bag and go to see the Northern Lights
but then I think, Dying in Norway? what a queen.
All these thoughts need to be collected, is what they tell you
as the road runs out. Why can't I just
blather on into the fog and let my parents and my friends and former loves -
and current ones, if there are such -
hear what they want to hear, this is the final mercy, I think. Ambiguity.
Remember what you want, because it's all true. I am everywhere, my body is stolen.
Sure, maybe I sing to myself at times
and why should I not try a little
tenderness
after all.
My name is gone, swallowed up in the cold air.
I would stand up, go to the window, look for it.
Why would I do that? There is nothing
out there.
de Unamuno
So
I am going to die, they said.
What do I do with this information?
Barefoot on the cobblestones, the Mediterranean
filling my lungs, I stagger and nearly trip
on the streetcar rails.
It's the middle of the night, there's no traffic,
but pretty girls just park where they want to
anyway
and I sink to the ground with my back against
the passenger door of a white Peugeot
and sob until a stray cat emerges
from the haze at the edge of my eyes
and stands watching me.
Somewhere behind me is a fountain,
burbling water falling on marble, it sounds like a woman's voice-
not just a woman, but a mother-
a mother's voice, singing to a baby awakened in the
night
by some incomprehensible terror.
Well, some nights are like that.
When I was a kid I would have recurring dreams of being on a boat
on a vast ocean, all alone, nothing but the sea forever on all sides and the sun burning overhead and a thick white rope coiled around my hands and wrists and forearms. Nothing would happen, no storm or shipwreck. I would just drift, until I woke up.
The atoms of the human structure, the synaptical architecture
miles and miles of nerves and veins
an unending expanse that one day has an end.
A bicycle zips past, a boy pedaling carefully over the rutted cobbles,
a girl clamped to his back, laughter.
It scares the cat, who scampers away into the dark.
My bones are hollow, I am a bird,
I vomit worms for my nonexistent children.
To remain silent is a lie, but what do I do now,
when the boys gather in their buzzcuts and their veined arms
and scream Viva la muerte
without a hint of irony?
We Will Write Numbers
This day has no night,
the boundaries are pushed back to beyond
what can be counted up.
What will even matter, in the end, when we reach the final
barrier? Reach out your
arms as wide as they will go, and I will stand beside you
and do the same; our fingertips will touch, we will be
an unbroken unity of form.
(There shall be peace in the land)
A river turns in oxbows, nearly kissing it's own back
and carving through green fields, but always in the same
direction.
(I should have told you I could live without you,
but I don't want to.)
The concertina collapses, the ends rush together, meeting with a
click, a sorrow of air.
The sun is motionless overhead, evening will not come nor dawn,
we will never see the stars or the moon, the distant winking Venus
or angry Mars. It is enough, to be denied the heavens, to be drawn back
from the edges of finite space and time to this one time and space.
A hand within a hand, secretly, under the table where no one
can see,
but surely they can all see the radiating light that is bursting and pulsing
from my chest like a newborn star, fed on the touch, the boundary finally
broken.
We are each a secret
we are each to be denied to all but the other. This is mine, we both say in our
heads, at the same time, to ourselves.
Do not let me go
is written across the sky of this new world
and we will be brave
and explore together, willful as children, fearful and adamant.
And the days remain days, even when the dark comes; thought is an egg,
held dear and protected within (I still think of you, even after all this time)
the hard iron cage of the body, which unlocked at this touch,
the hard iron fist around the heart
loosened one finger
and breathing was no longer automatic, but a conscious labor.
We sat side by side on the bus, each trembling.
We will write numbers on the backs of our hands,
on the pale fishbellies of the undersides of our forearms.
We will love each other, amateurs of war.
The sun moved forward, a molten drop falls into place,
the first of what will become,
in time,
the barrier.
But we love each other in daylight, and moonlight is merely
the sun reflected,
so there is no night, no night not ever, really.
The Gold at the Bottom of the River
There are beautiful things in the sadness,
else why does woe, woe and ever mourning
and sounds of a boys' choir sting and stab
at unseen wounds, known but forgotten?
a gate opens, and music, birdsong,
we were never warriors the way we should have been
but this is our Valhalla; we enter like the gods
who never paid for the walls, who never feel
the bite of iron in the back, just the dampness
of the blood and
leave the gates open behind, because whatever
could hurt us now
but each other?
It is always twilight, the edges of things are always obscure;
there is a shape, indistinct, on all sides, above and below;
the edges we don't see
cut
so softly
I thought it was a kiss;
when it was over the heat lingered
like my name on a breath
exhaled in the cold night, drifting up toward the moon.
Dissipating, finally gone, high above the roofs,
drifting over walls,
through leaves, like a memory finally released,
turning sparkling folding over itself,
and the bells ring in the morning and the birds leap from the branches
and the sky is high and the rich shall have their ice in summer
and the poor shall have their ice in winter
and the water will flow over and over and on
and they will close the gates
and say themselves, yea at last we are free at last we know solace
and then and then-
Prefecture
Is there sea?
Is there the water within, to cool, to soothe?
Ash orange, bitter, the bite and grit of breath,
the scrape down the throat, everywhere dry,
everywhere the hot heat of hate,
boiling
from seven fires in a man's back
boiling
from a knee on another man's neck.
Breathing, burning, fists upraised; the air is not air
just acid gas smoke scream cry anger;
filth is a film upon the skin, it coats the lungs and keeps
the right words from being spoken.
Tar and fog and is there rain enough, when the matches kill you
in your sleep
and go again? Sometimes when you walk, you slip
along a clean clear line,
but now we walk blind and fall and there are many hands
to hold us down.
When it comes, it will be everywhere and
all at once.
Frailty
On the windowsill,
a radio has been left on, softly leaking static
into the kitchen. Outside
the tram rolls by and rattles the teacup in its saucer.
Rain pitters on the window, through the nude branches
of elms and plane trees, and I watch their runnels down the pane.
Two crows fight over a chicken bone on the railing of the balcony,
their forms blurry and rounded.
There is still time. There is still time
to do many things.
In that case, how long have I been sitting here listening to static?
Minutes are consumed, by the eyes, the lungs;
syllables become a colossus bestriding the world.
I wake up and the sea has frozen over,
the waves like the ridges of a fallow field,
gulls swooping and calling through a vast
and spreading blue, a blue like a colony,
like love in a violent age;
the answers coming back off the face of the ice,
almost a foreign language, almost incomprehensible,
a thing not completely unrecognizable and so
not able to be ignored; what is this music within
the signal? It sounds endless, like a bell
ringing to the end of the universe, a long note
expanding in all directions at once.
The eyes beneath the sea, eyes overhead, passing through air
and stars, seeing the growth of things
buried, folded over by the plow; our hands plow
the rich black ground and blood comes up, tendrils
filaments ganglion, tortured things born of torture,
born of good intentions; brought up into the light,
into the breath of sky and sun, to wither to grown stronger to sprout new
invasion. Reaching and grasping, breaking the surface,
a desperation like combat, rhythm out of step out of sequence,
the last first just as it was foretold,
and a great and fathomless forgetting, knowing that something
is being forgotten, the knowledge of it precise and empty,
a vessel to be filled, never to be filled.
Plains, like glaciers or the craters and canyons of other planets,
open unobstructed ever-onward to the line where they become
something else, something bounded and so vulgar, mundane.
Ice cracking, something rolls and shifts.
There is a blinking blue light that never stops, the telephone in
its cradle, the tea in the teacup cold, everything falling into
place, slotting together like geometry,
a line down the middle of eternity, or just my own portion of it,
down the middle of my good intentions,
my bitter fruit,
the sunshine and my golden skin, numb the body the phantom limb-
mouths and geometry again, fitting and parting and fitting,
a sky overhead, a forest deep and black at my back always,
the undergrowth teeming with heedless eyes and lungs and
coiling plans, cunning tongues. I saw an osprey once, slicing
across the field of my vision, right to left, like an arrow bisecting
sight; my head remained fixed, did not turn to follow its flight,
and my lashes came together like the church and its people
and I slept in pale arms.
Shedding time, like skin, skin is time, our cells are increments of
existence. A needle, a thread to stitch them back,
the gears of a watch spread out on a tabletop, swept into the palm
of my hand, tossed into my mouth like pills,
washed down with cold tea.
Thunder frightens the crows away, dropping the bone to the street below.
It falls and never hits the ground, the distance constantly
halved, until there is no space no falling thing no ground
only mathematics, only a music made of numbers and the absence of
sound, of long flatboats carrying wine-filled amphorae
and papyrus scrolls. Skin floating on water, water sloughing into ears,
mouth, nose, pulling, the faint resistance, the sense that the sea
is filled with a greater gravity than the land;
stepping onto the beach, tall grass, dolmen, a gleaming white
superstructure, endless the things I do not know,
but there is time, still time left, still
time left to learn all the things I should have known all along,
like the calls of the birds,
or the names of the flowers outside my window.
Fugitive Avenues
Someone
painted the mirror black, pulled the curtain over
and unplugged the lamp on the nightstand.
The bed is empty, the sheets rucked and twisted,
the shadowed dents in the pillow
little points of annihilation I am unable to look away from.
The sound of water in the pipes; I close my eyes and it becomes
a stream, the creek down the small hill in the backyard,
past the briar and fern, the muddy bank we used to
slide down on bare bottoms into the shocking chill
of the water, then run back up it slipping and stumbling,
grabbing at each other's ankles and waists to pull
ourselves down into the mud again, to slide again
into the creek and clean ourselves only to race up again;
at the top of the bank, we could see the top of this house
over the arches of blackberry, far at the other end of the lawn,
fading yellow paint and white trim, a Mansard roof,
the oriel window behind which is this bed.
Once, a strangling vine was looped around my ankle;
we were laughing too hard, I couldn't stand up for the mud,
for the trapping tug of the green grip, our bodies naked and
filthy (I had mud in my hair, my mother's chagrin crashed against
her light heart and shattered; she laughed as she drew the bath for us)
writhing, not even trying to stand, now just seeing how absolutely
dirty we could make ourselves. Finally the vine snapped and we both
tumbled, arms grasping each other like trying to embrace a pillar
of oil, head over hip straight into the water, plunging beneath
the surface, the shock we should have expected forcing our mouths
open, the creek flowing straight into us, over us, tearing the mud
from our skin and sloughing it away downstream,
scouring our throats and then each of us pulling the other up
to the daylight, to air, laughing and coughing the creek back
into itself. We helped each other up the slick bank this time,
still falling but no longer wallowing, my hands pushing the
small of your back, your hands pulling my wrists, finally to the top
of the bank; we looked back at the creek, then at the house ahead,
walked forward through the brambles, thorns pricking our
gooseflesh like a slavecatcher's goad. We ran, barefeet crushing
the dead grass underfoot, little blades of tan straw sticking
to our shins and heels, beneath the scalding sun that baked
the mud to our bodies like armor, to the porch and into the kitchen,
where my mother turned from the stove to see two naked, muddy
boys and wrung her hands as her eyes slid up to the ceiling.
Don't move, you two, she mock-scolded and went to the cellar,
dragging up the stairs a large zinc tub, filling the whole house
with an unholy clatter. But we've spent all day in the water,
I had tried telling her, but you two laughed against me and she filled
the tub and shooed us in. The brambles scratches stung in the hot water,
I saw you wince; our bodies disappeared in the water, our legs slithering
against each other like eels. Later, sitting on the edge of this bed,
looking at our reflection in the now-black mirror, watching me watch myself
and you laying on your back reading a book, I felt a small stab and lifting
my shirt found a thorn in my side, just above my hipbone, and instead
of pulling it out, I pushed it in deeper and watched the scarlet trickle of blood
run down to the waistband of my underwear; I looked up and saw you
watching me and I was suddenly very ashamed and I stood to leave.
You reached out and said my name and I turned back, and
this empty bed yawned and the blackness between stars swallowed us both.
So Fine
Teeth,
teeth like snow, wet in the light.
Haven't you heard it's bad luck to see someone
smile in the dark? Or hearing bells
underwater? Lights and music in a forest?
I fell asleep on the bus to Newburyport,
where I was going to have sex for money,
my backpack wedged between my shins,
my head on the shoulder of a woman
who looked like my aunt, lolling and bouncing
as the road rucked and thumped beneath us.
The bus slowed and stopped and I lurched forward,
awake. I got up, got off, no idea where I was.
A little town, brick main street, war memorial park,
a diner- my back hurt, my shoulders ached, my neck
throbbed from sleeping on a stranger's shoulder.
The bus drove by, chugging, black exhaust a hot cloud
around me, the woman who looked like my aunt
waving. I waved back, the bus made a right and drove on.
The diner was almost empty, and three old men at the counter
looked up as I came in, gave me the once over, and went back
to talking about the government.
I sat at at table by the window and ordered coffee and drank it,
spending my last $5 and asking the waitress if I could wash dishes
or clean the storeroom for her, and so for the next six hours I worked
in the diner and talked to the old men who came and went and
waitress split her tips with me and as I was leaving I asked
Which way is Newburyport? and she pointed one way
and I walked the other.
(In a small room, she says, You're a good thing gone awry,
and instead of answering I kiss the outline of her mouth that I can see
vaguely in the darkness beside me, a small oval in the pale round of her face.
I feel her smile against my lips, and I pull away, shutting my eyes, because
I am nervous of happy things I cannot see. I roll over, her arms snake around me,
her breath on my back, her lips on the nape of my neck. I lie still, waiting
for my luck to change.)
Hours later, sore, standing in a scalding hot shower,
pink swirling down the drain,
I remind myself I need to call my aunt,
to say hello,
to say how, sweet lord, have you been?
Yellowjacket
i'm trying to get a check cashed;
for fuck's sake all I want is this $27 and jesus god why
is everything hard the line is not moving, i feel like i've
been standing in the same place, growing roots, for days
i feel a tingle in my fingertips am i going to sprout a leaf
i almost say to the man in front of me but i don't because
i have a great fear of speaking to strangers, are we not all strangers, do we any of us know ourselves much less another
the man behind me wanting his $27 or whatever the hell
anyone wants
didn't you used to be, aren't you-
well in another life maybe yes, yeah i thought that was you, i thought i
recognized you, whatever happened to-
jesus christ when will this line move, i've got to get this money to Reseda
before three look at that security guard, do you think if i emptied my account
and gave it to him he'd shoot everyone but me so i can get to the counter
sweet fucking god it's hot too, i'm not looking forward to the drive
maybe i can - no i cannot
sweat slides down between my shoulder blades down the trench of my spine
deep breath hold hold hold
what sorry i wasn't listening
{Listening is an act of love. Who do you love, who loves you?
The street comes up to meet you, asphalt kiss on your whiskey lips.
How many times have you said, I'm doing the best I can- screamed it
wept it, vomited it - always knowing you're not even close to doing your best?
A bus stop bench, sitting beside a veteran who sleeps there most nights; we are sharing
a bottle of something, talking
They're trying to kill me, he whispered between chugs,
Yes, but they're trying to kill all of us, don't think you're special.
I fell asleep beside him, waking when the 122 pulled up and the driver opened the
door to yell at us.
I walk into the soft moon white the hard hot black of the ground the warm blade of the night's breath the sparkle of lights the blankness between, one shoe clomp one foot bare This is going to be my year, again, my hair is in my eyes the median strip is a jungle so I lay down again this oasis this emerald surrounds enfolds where am i going to get what i need, where am i going to get such simple love
where did i get the idea that love is simple that love is listening that love is a green
embrace as cars race past on either side, hurtling through the midnight the one a.m.
the predawn everyone going home to loving arms and loving beds or pretending
just as well pretending love is love and it is all we need
the 122 goes right to Reseda, the stars in their courses swirl overhead, i pull grass up
with my knuckles, by the time i sit up there is a baseball sized divot beside me, the traffic
is dead i can taste the sea in my lungs i will lie here and wait to be killed i will lie here
and wait to be raped i will lie here and listen because i love
a car goes by a song pulsing from the open window i know this one, i know this one, it goes like this-}
i was distracted could you repeat that
one step two almost there the grille the marble counter the date on little black tiles
the check balled up in my sweating palm
the date on little black tiles this is going to be my year
the hum in my chest the sweat the brightness at the edge of my vision
everything is bright and glorious me most of all
it is just money it is just $27 why can't it just be the song from the window of
a passing car, why can't, why
always why and never how or who
already always walking away passing the guard
already always almost lunging
already always almost grasping almost on the ground now almost looking up
but what is there to see please just take it please just do what i cannot do
please just
make this my year