Intro to the Evolution of the Hunt: EVO 101
Thank you.
Our lecture today is on the various perceptions of the phenomenon of The Hunt.
We previously examined the psychology of early man, as hunter/gatherer. We concluded that the distinction between the two is negligible. A cycle of life is arrested in either case. Of course, we pointed out that we cannot speak as well to the suffering of plant life in the plucking and knifing, as well as we can bear witness to the duress of the animal kingdom.
Only Man remains as Killer, we established having consciousness, and conscience, rather than consciousness and instinct. Early Man seldom found himself in the position of The Hunted, unless straying from the safety of the group structures (physical barriers and social constructs). This vulnerability is best recognized broadly. The Hunter must step outside to marginalized venues to practice The Hunt. And the criminal mind is not far from that mentality of similarly stalking the periphery.
The Killer seeks the gaps of safety net from which to make his Take.
Now, where the psychology becomes very interesting, is where the Hunted goes on the hunt for The Hunter. Whether "criminal" or not, this is known commonly as the Ourobus Complex. Among the more notable cases, is that of Admiral Leane, who in water deprived delirium, did not realize that the Lion he was after, was in fact looping in on his trail. This ended tragically for both the Hunter and the Hunted, when game wardens were notified, from the helicopter.
But a more interesting case, previously classified, is that of Arthur X, who began to stalk himself, perceiving his person as an anonymous stranger out to get himself. Every slightest vague reflection of his self, whether in window or cutlery, provoked in him repressed agitation.
Oddly the release of that tension was not the physical attack of said images. Rather he chose a blunt instrument, plotting his demise with a pen. A Hunt known as Slander. This is of course an extreme case.
12.01.2023
FFF#8 The Hunt challenge @ChrisSadhill
*no facts were sacrificed in the writing of this fiction