The Heap

The sand feels different today. I run it through my fingers, counting each grain as it falls, though I know that's impossible. One, two, three—the rest blur together like static. The morning fog hasn't burned off yet, and the pier stretches into nothing, its endpoint lost in gray.

I've been here six hours. Or maybe twenty minutes. Time moves differently when you're counting sand.

"Ma'am?" A voice breaks through. Police, probably. They always come eventually. "Are you alright?"

I don't look up. Can't look up. There's work to be done. "I'm organizing," I tell him, my voice raw from the salt air. "Each pile needs exactly one thousand grains. It's important to be precise."

His shadow falls across my workspace, disrupting the careful patterns I've drawn in the sand. Concentric circles, each smaller than the last, spiraling inward toward some truth I can't quite grasp. Yesterday there were seventeen circles. Today I count twenty-three. Tomorrow there might be none.

"Dr. Garcia called us," he says gently. "She's worried about you. You missed your last three appointments."

A laugh bubbles up, salty-bitter as seaweed. "Dr. Garcia doesn't understand. I'm conducting an experiment." My fingers tremble as I separate another small pile. "If you remove one memory at a time, at what point do you stop being yourself?"

The tide is coming in. I feel it in my bones, that slow creep of water. Soon it will wash away my work, like it does every day. Like it has every day since Mason—

No. Don't think about Mason. Don't think about the pier, or the fog, or why you know exactly how long it takes a body to—

"Five hundred ninety-eight, five hundred ninety-nine..." My voice cracks. "I lost count. I have to start over."

The officer crouches beside me. Through my peripheral vision, I catch a glimpse of his nameplate: Officer Collins. He was here yesterday too, though he's pretending this is our first meeting. They all pretend.

"How about we get you somewhere warm?" he suggests. "The fog's getting thicker."

"You don't understand," I whisper, my fingers cramping as I scrape together another pile. "If I can just figure out the exact number—if I can find the precise point where a heap becomes not a heap, where a person becomes not a person—then maybe I can work backwards. Maybe I can find the grain of sand that changed everything. The moment before it all went wrong."

A wave crashes closer, sending spray across my carefully ordered piles. The salt mingles with something warm on my cheeks. When did I start crying?

"One grain at a time," I murmur, more to myself than Officer Collins. "That's all it takes. One grain, and then another, and another, until suddenly your heap is gone. Until suddenly you're gone. But if you can count them—if you can keep track—maybe you can put them back in the right order. Maybe you can rebuild..."

The fog swallows the rest of my words. In the distance, a siren wails, or maybe it's just the foghorn. These days, I can't always tell the difference between warning sounds.

-----

Dr. Garcia's office smells like lavender and lies. She thinks she's clever, using aromatherapy to mark the passage of time—lavender on Mondays, sage on Wednesdays, eucalyptus on Fridays. As if temporal anchors could stop the slipping.

"You're agitated today," she observes, pen hovering above her notepad. Three months ago, she used blue ink. Two months ago, black. Today it's red, like warning signs, like blood in water.

"I made progress," I tell her, watching dust motes drift in the afternoon light. Each speck a tiny universe, falling. "I reached six hundred grains yesterday before Officer Collins interrupted. That's eighteen more than my previous record."

She doesn't look up from her notepad. "And how many times have you met Officer Collins?"

"Once," I say automatically. Then: "No, three times. Or—" The certainty crumbles like wet sand between my fingers. "He pretends it's always the first time. They all pretend."

"Who pretends?"

"Everyone. The officers. The lifeguards. The man who sells ice cream by the pier." My hands twist in my lap. "Even Mason pretends, when I see him in the fog."

The scratching of her pen stops. In the silence, I hear the clock on her wall ticking. One second, two seconds, three—how many seconds before a lifetime becomes a life sentence?

"We've talked about Mason," she says carefully, each word measured, weighed, precise. "About what happened on the pier."

"Nothing happened on the pier." The words taste like salt. "Nothing happens. Nothing is happening. Nothing will happen. Time is just grammar."

She sets down her pen. Red ink bleeds into white paper. "You were there when they found him."

"I found a shell that morning," I say, the memory suddenly sharp as broken glass. "Perfect spiral. Mathematical precision. The Fibonacci sequence made manifest in calcium carbonate. I was going to show him, explain how nature builds itself in predictable patterns, how even chaos has underlying order, but—"

My fingers trace spirals on the arm of the chair. One rotation, two, three...

"But?"

"The shell disappeared. Like the sand castles. Like Mason. Like everything, eventually. Entropy in action." I look up at her window, where fog is creeping in despite the afternoon sun. "Did you know that beach sand moves? Littoral drift. Constant motion. What you touch in one moment is gone the next. The beach you stand on today isn't the same beach as yesterday."

"Is that why you count the grains? To hold onto something constant?"

A laugh escapes, hollow as a seashell. "I count to find the edge. The boundary. If you remove one grain of sanity, are you still sane? Two grains? Three? Where's the line, Doctor? When does a person become a patient? A mother become a mourner? A witness become a—"

I stop. The fog is pressing against the windows now, impossible for this time of day, this time of year. Through its gray veil, I see a familiar silhouette on the pier.

"He's out there," I whisper, reaching toward the window, fingers grabbing empty air. "On the pier right now. All I have to do is count backwards, find the right number, the exact moment—"

"There is no pier outside my window," Dr. Garcia says softly. "We're three miles inland."

I blink. She's right. The window shows only a parking lot, sun-baked and solid. No fog. No pier. No Mason.

"I need to go," I say, standing. My legs shake like sand castles in rising tide. "The beach changes with every wave. If I don't get back soon, I'll lose count. Have to start over. Have to—"

"Please sit." Her voice has an edge now, sharp as shells, as broken promises. "We're not done."

But I'm already at the door, fingers reaching for the handle. I step into the hallway. The cold lights flicker—one, two, three…

-----

The sun is setting now, or rising. The fog makes it hard to tell, turning everything the color of old memories. I've arranged three hundred and forty-seven piles of sand, each containing exactly one thousand grains. Or maybe it's seven hundred and twelve piles of three hundred and forty-seven grains. The numbers swim like fish beneath the surface.

Officer Collins sits beside me now, no longer pretending this is our first meeting. His radio crackles with static that sounds like waves breaking.

"Tell me about the shell," he says.

My hands keep moving, sorting, counting. "Fibonacci. Perfect spiral. Mathematical certainty in an uncertain universe." A grain slips through my fingers. "Mason would have understood. He was brilliant at math, did I tell you? Sixth grade, but already taking pre-algebra. He could see patterns everywhere. Even in chaos. Especially in chaos."

"Wiser than his years." His voice is gentle. Like the fog. Like Mason's was, before. "What happened after you found it?"

"He was angry about the phone." The words come easier now, worn smooth like sea glass. "Such a small thing. A stupid thing. One week without it, that's all. His grades were slipping. He needed to focus. I thought the beach would help him find his peace, like it always had before. If I had just... if I had waited one more day, let him keep it one more day..."

My fingers stop moving. A thousand grains of sand cascade into nothing.

"You couldn't have known," Officer Collins says.

"There was a pattern," I insist. "In his behavior. In his moods. In the way he stormed out, slammed the door. The way he ran—" My voice cracks like a shell under pressure. "I counted the seconds before I followed. One, two, three... sixty-seven. Sixty-seven seconds between his door and mine. Between his footsteps and mine. Between mother and—"

"That wasn't your fault."

"But where's the line?" The words tumble out like tide rushing in. "How many seconds of anger before discipline becomes cruelty? How many moments of rebellion before attention-seeking becomes... If you remove one word of the argument, then another, then another, at what point does a mother's caution become a child's last—"

"Stop." His hand hovers near my shoulder but doesn't touch. "The investigators were clear. The railing was wet from the fog. When he turned around to come back—"

"No." I pull away, start a new pile. "That's not—I need to count. Need to find the right number. If I can just figure out how many grains make a heap, how many moments make a childhood, how many breaths between defiance and regret, between standing and falling, between his laugh and his—"

The fog shifts, and suddenly Mason is there, at the end of the pier. Twelve years old forever, balancing on the upper rail, turning back with that look—half-anger, half-fear, whole child. "Mom," he says, or maybe it's just the wind. "Mom, I didn't mean—"

"Do you see him?" I whisper.

Officer Collins follows my gaze. "I see fog," he says softly.

"He's trying to tell me something. He's always trying to tell me something." My voice sounds far away, like shouting underwater. "But I can't... the numbers keep changing. The grains keep shifting. Yesterday I was sure it was one thousand grains. Today it might be three. Tomorrow..."

A wave crashes against the pier's pylons. When the spray clears, Mason is gone. Like always. Like everything.

"Come on," Officer Collins says, standing. He offers his hand. "The tide's coming in."

I look down at my piles. The neat circles I've spent hours creating are already disappearing, erased by wind and water. Tomorrow I'll make new ones. Tomorrow I'll count again. Tomorrow I'll find the right number, the perfect equation, the exact point where everything changed. Where a mother's discipline became a child's rebellion became an empty bedroom with a phone still charging on the nightstand.

Or maybe I won't. Maybe that's the real paradox—not how many grains make a heap, but how many times you can watch it disappear before you accept that some questions don't have answers. Some patterns exist only in the spaces between "I love you" and "I'm sorry."

I take his hand. Let him pull me up. My feet leave perfect prints in the wet sand as we walk away from the pier.

Behind us, the fog swallows everything—the piles, the patterns, the possibilities. One grain at a time, until nothing remains but the sound of waves counting seconds into infinity, each one the exact length of a child's last breath.