on peeling an orange
there’s a sort of violence about it,
a slow and sweet-smelling psychopathy
which would have otherwise remained anonymous
had i let the orange be an orange,
but immediately it was not just an orange,
it was my orange,
and that was the door.
i heard hunger’s footsteps in the hall
and made haste to take my time,
held the fruit up to my ear as though it were a conch shell
and i might hear the orchard on the other side.
i listened for the sun, for the chlorophyll
snaking through the veins of the leaves,
for the quiet song of gravity.
i listened but there was no sound,
no orange blossom unfolding,
no seed turning in the womb of the earth,
only my own appetite leaning against the
skin of my fingertips.
then suddenly
there was an awful sound like murder—
a crack in the door, a wound,
one white thread of light whispering
enter, enter,
and i could not stop myself,
slipping my thumbnail underneath
to pry peel from what was precious and mine.
i could not stop, but neither could i ignore
how the tangerine so resembled the moon,
all cratered and curled in on itself,
intact by some partial gravity, perhaps hope,
perhaps fear.
i swear i felt the fruit flinch.
i considered, then, that if the orange was the moon,
then i was a black hole,
obsidian mouth hinged wide as a grave,
like i imagine the gate to hell would appear
were it decorated like heaven,
studded with stars like pearls,
or perhaps sores,
regardless, the dark vision was sufficient
to still my hands.
i set the half-dressed orange before me,
beheld my waning gibbous,
my waxing remorse.
it appeared so small, so childlike
there in front of me,
and i’d never felt so vast and starving in my life.
i felt like a man, a lowercase god,
somebody who doesn’t say sorry.
apologetically, my fingers resumed their work.
tell me, is this what it felt like?
enjoying me in season,
delicate in your tearing me apart?
did you hate yourself as my threads snapped?
as the parts of me let go of one another,
rocked back into the crater of your palm,
some of me scattering across the floor mat
on the passenger side of your Toyota Prius?
do you loathe yourself, still,
every time you talk with your hands,
or stroke your beard,
catching in your nostrils
my citrus-scented memory?
now, with the sweet acid of clementine
in my throat, i know what it’s like to be you—
eternally hungry, afraid of your own hands,
drumming to the music your intestines make
inside your body, as though
dinner is not already on your kitchen table
where your wife prays that it’s not true,
that you won’t come home with
yellow fingernails and flattery
that reeks of me.