Solstices
The night is dark and thick and it falls heavy, hot, and suffocating over the land.
An grass is tall and it is sharp and it droops slightly as it lines the ditch of the dusty, worn road. The dusty road that if you look down it will look you in the eyes and say Yes. I'm here. Come to me.
The moon hangs high in the sky but all its light appears faded. It's just a circle of white ringed by gray as the night is just an all-expansive starless sky of black. The only light there is shines from the piercing rays of a gas station light far off in the distance, too far to illuminate anything. The night is unnatural. The night is eerie. The night is heavy.
This is the place where nature and the city clashes. Nature is overpowered. Of course. By the city's snaking fingers that press into everything. The tired-terror-rage-hurt in the eyes of the men and the hopeless desolate love in the mouths of the women. And the sorrow snd silence in the people who are not either. The way the grass dies in the polluted dust of the roadside. But there is living grass still. There is kindness and cleverness in the eyes of the men. Anger and confidence in mouths of the women. Secrets, hope, and wisdom in the people who are not either. And there is the way the night falls like a disguise, like a cloak. Like a blanket.
The crickets chirp and buzz, silently cheering me on.
I am a shadow of a girl. I am a girl lost in the shadows. Trailing behind another girl who always, always, always blocks all the light. I am the silent one. The unseen one. I am the one who is always nothing and no one.
But not anymore. The air is hot and humid and yet it feels cool around my body. Around my face, around my arms, around the soles of my bare feet.
The dew on the grass brushes against my ankles.
Miri kissed me three days ago. Before I set out onto this journey with the blocker of my light. She told me to be brave. Be confident. Be brutal. And I'm not brave. I'm broken. But when Miri kisses me hope runs down like molten gold over the broken, jagged edges of my heart. Pulls them together.
So for her I am brave. For us both.
The other girl is walking in front of me. She always is. She is walking slowly. Even her steps are haughty. And I don't quite know how she manages that. As always, my steps are quiet.
I walk faster though. Just a tiny, immeasurable bit faster than her. The air around me grows immeasurably colder. The path is full of rocks and broken bits of concrete from when the road was functional. It digs into my bare feet. She in her thick-soled shoes cannot feel it.
Seven days ago Miri and I were hiding in the alley sharing breathless open-mouthed kisses, hands brushing up under each other's shirts. She whispered my name over and over again.
Ayali. Ayali. Ayali. Ayali. Ayali I love you.
And she told me she sabotaged the engine of the car. The world smelled faintly of exhaust and heat as it always did and for the first time in my life I cried. And she moved to quickly wipe the tears from my face with her gentle hands so that I would not be caught.
The night is still. The world is tensed with anticipation. Waiting.
The girl gets out her cellphone, and dials the number of her father.
"Hello, daddy? Yes the car broke down. We're. We're on our way to the gas station now. But gee whiz cheese and crackers, the road is so long and it's so hot out here. I need a fan or an air conditioner of something. We don't have any of that here now do we? Christ on a bicycle I'm too delicate and sensitive for this."
I wait until she finishes her phone call. None of this will work if she's still on the phone with her father.
The moonlight softly illuminates the top of her hair. Her phone's screen shines pale against the skin of her cheek. She looks eerie. Frightening. Though I don't remember ever not being frightened of her. It's good that I know exactly where she is. It's good that I know exactly what she is.
One year ago Miri and I were sitting on our knees, facing each other, on the floor of the garage. Her eyes sparkled golden in the midsummer sunset light. Her dark hair frizzed in the humidity. She was chanting softly. Lost in a meditative trance. Lost in my dark eyes. I was lost in hers. And the words I chanted laced and wove through the words she chanted to create a beautiful whispering harmony. Beneath us the runes glowed. They were made of feathers from the seagulls and crows that soared in the sky, arranged into the shapes of thin loops forming a circle. The birds soared and squawked and screamed free in that endless blue and they took care of us. We continued chanting as the sun's rays dipped below the horizon. We took the stolen glass jar that we had previously filled with rainwater. And we held it up against the horizon so that it caught the last of the sun's rays. We soaked all the feathers inside the water. As the twilight bathed everything blue we continued chanting, both holding the jar of feathers in both of our hands.
And as the light finally faded we solemnly took twelve steps to the sickly, dying tree holding on desperately to the crumbling ground beside the garage. It was fading, unlike the bright domesticated flowering plants carefully maintained in the front entrance of the house. And we poured out the contents of the jar over its roots.
Brother Tree. You who bend and bow to the city and its rulers as we do. Brother tree. You who hold the life force of Mother Earth as we do. Brother Tree. Aid us in our quest to restore what has been lost and to build what has been broken. Aid us in our quest to bring back life and hope into the hearts of the people.
And now I watch as the light on her cheek flickers into nothing. She puts her phone in her purse and scans the horizon. I'm stalking even closer to her. And as quick as a striking stake my arms twist around her throat. She chokes out a scream. I squeeze as hard as I can but she kicks and claws and writhes and sends us both tumbling to the ground. She gains the upper hand for a moment. Lays her upper body on top of mine and pins my arms to my side. But I bite her cheek hard enough to draw blood. And she screams and jerks away. I spring up and then we are on each other. Biting and grabbing and kicking and pushing in the dirt. Until finally I am straddling over her, with both my hands around her throat. A vice grip fuelled by the unending, incomprehensible pain and rage and desolation and suffocation that has been my life thus far.
I smile the most deranged, glorious smile as I feel her breathing slow, as I see her struggling get weaker and weaker as her body becomes limp. She goes still and silent under me, eyes wide open and completely spaced out. I hold her down for a few minutes, just to be sure it worked.
Four days ago a great storm swept through the lands. It brought with it pouring, torrential rain that was freezing cold, colder than any ice. Just as Miri and I had summoned. As everyone huddled inside the house, Miri and I placed the jar on the ground by the tree. The tree was stronger now. It stood up taller. It's leaves didn't droop. It had a healthy sheen. Rain hit the leaves, and soaked in the life force and essence of the tree. As the world stood in that untameable standstill, water rolled down the leaves, different droplets coalescing together into thick, cold drops. And as the storm raged on and on and on the jar filled with tree-soaked rainwater.
Miri and I got a small reprieve. Could claim that we were trapped in the garage due to the rain. We lay on our straw mat, with wet hair, and kissed. She straddled her body on top of me and then bent down low to kiss me. I lightly dug my fingers into her waist. Brushed them up and down her thighs. She smelled like heat and sweat and dawn and the ocean mist.
Everything around me is dark. Pitch black like a page with ink spilled all over it. Like all the world is nothing. Nothing but a thick, almost tangible black. The road is abandoned. Nobody can see us. Still I carry the girl's limp, cold body towards the ditch, far from the road. Far from bright headlights. In case anyone speeds by. I keep walking until I can see the familiar glow of moonlight shining on water.
Thank you for showing me the way, Brother Moon, I whisper. I lay her body down beside the water. Then, I step into the water to see how deep it is. It's a really dirty pond full of fish waste and mud but to a large extent water is water. I get the small vial full of the tree water I have hidden away in my underclothes.
Four days ago Miri and I kneeled on either side of the water jar, in the dead of night. Softly chanting chanting and chanting and chanting until the water flowed blue like the horizon. We bottled a bit of it in a stolen laboratory microfuge tube, given to us by the boys across the alley who got it from someone else. And we slept curled around each other as we've done for years.
I bring the little tube up to the light of the moon.
"Brother Moon. Father Sky. Mother Earth. Sister Water. Please may I be granted the shape of the one who held the power. May I be granted the shape of the one who held the keys. So that I too may hold the keys and so that I too may hold the power. Transfigure my face and my throat and my body until the day when my people can be truly free. So that I might walk through the world unburdened and fool the the ones in the high into letting my people go. Brother Moon. Father Sky. Sibling Fire. Mother Earth. Sister Water. Brother Tree. Siblings Stars. Sibling rain. Sister Sun. All the forces of the world. Twist my face into a falsehood so that I may bring the reign of truth into the time."
I bring the vial up to the sky then I pour the water over my hair and forehead.
The world seems to still around me. The wind starts blowing, strong and cool and quick over my face and through my hair. I feel as if I am on fire, but it isn't painful. It's invigorating. Energizing. Finally I look up. I am wearing shoes. I have on her soft clothes. My hair is in the long, intricate braids she wore. My skin is soft and smooth like hers. I look into the bag that I am now holding. I pull out the phone and take a picture of myself.
Yes. I have her body. I look just like her. And I snap a picture of her. She has my body. Good. I'll miss my body but I know I will have it back once the work is done. But now I will leave the girl to rot and be picked at by the fishes.
Two years ago Miri came into my life. She was thirteen years old. Her parents were dead. Her baby had been taken from her. And she was utterly broken. I pieced her back together in the far too short moments between dusk and nighttime and between dawn and morning. She pieced me together in the fleeting moments we stole.
I briskly walk to the gas station, testing out my voice. Sure, I sound like her. But I don't quite speak like her yet. So I have to practice. I call her father, my voice wavering. I pretend that Ayali (me) attacked me (her) but "I" managed to fight "her" off.
In about an hour I get to the gas station and I wait inside until he picks me up.
Two years ago I had been alone for nine years and my life was infinitely worse than death. And then Miri told me that I was beautiful, wonderful, amazing. I was everything that was good in the universe and I was deeply beloved by more people than I could count.
And so I sleep for the first time in a large, soft bed. And I sneak Miri in there too. Claim that I'm oh so tired from my ordeal and I couldn't possibly sleep alone and I need her to stay up and stand watch. We hide under the covers of the bed and kiss each other senseless.
Later we to go live in a separate apartment away from prying eyes. And we create a space where there are no power imbalances. And we plan.
I chat with the girl's uncle, who thinks I am her. He's very high up in the military. I manage to guile him into giving me the locations and entry codes for all the armouries.
Six months later all out war breaks out. It's winter. It's cold. It's nighttime. The winter solstice actually. An auspicious time. The moon hangs bright and still, tinted the slightest bit blue. We march all together. Sharing in each other's heat. Sharing in each other's anger. Sharing in each other's strength. More people than I ever knew existed. We storm the armoires by the thousands. We easily take out the guards. Though they shoot at us. Though our comrades fall. There are simply too many people to shoot and we fall upon them and beat them to death with our bare hands while others flow into the doors of the weapons vaults. It's the most exhilarating night of my life. I had never even seen that many people all right there at once before.
And we take the weapons and we run with them. Sure, we don't know how to use them. At first. But those of us who had been spying on the military - which is many of us - soon teach the others. And then it's all stops pulled out. We know that if this war drags on and on we will starve. Normally this would be more than enough to stop us from even pursuing it. But we outnumber them two to one. We have most of the weapons. The odds are in our favour and the chips are on our side. We know that this is the one chance to get free. And freedom is worth dying for. If it means our children will live. We can win this. And we do win. Easily. It's a matter of weeks.
People did die though. People died in droves. And it was terrible. It was bloody. It was ugly. It was gruesome. It was painful. For them and for all the ones they left behind. It was something that shouldn't've happened. But they died for the new generations. For the future. And for the Earth and Sky and all Their Children.
Two years later I'm back in my proper body. I'm surrounded by my community. I'm married to Miri, and with my four-year-old stepchild Novalee. She's so small. And she's back with us. Reunited with her mother at the same age in which I was separated from mine. And she can be a child. The air is clearer than it ever has been. The water more flowing. The ground is cleaner. There are more plants than before. The moon shines brightly and so do the stars. And people have peace in their eyes. Have joy.