The Story Bone
I was blessed with a deformity. Linking my modulla-oblongata to my cerebral cortex is a story bone. I discovered this personal anomaly about six years ago, believing it to be just another part of a mostly scattered brain that seldom sees use, much like the part that is in there for the express purpose of deciphering poetry, or the way too thin slice that is supposedly dedicated to resolving algebraic equations; those sleepy sections of my brain which always lie lowest when called upon for duty, but I was wrong. It seems that for all of those undiscovered years this story bone I have was actually hard at work up there, collecting trivial data; facts, figures, moments, sayings, useful little behavioral oddities in myself and others. This little bone was observing, categorizing, possibly even unknowingly creating experiences to be gnawed upon at a later date. No one would have guessed there was something in there so hard at work. Well, maybe my mom might have guessed, certainly not my dad. My wife was absolutely flabbergasted to find that I had a bent for storytelling, but then we were twenty years “in“ when the bone was discovered, and my brain had given her few previous indications of activity… but then it wasn’t my brain she married me for, was it?
You have found your way to this site, so I will presume that you possess a story bone as well, though yours may still lie dormant, so that you have no idea what I am talking about. For this reason I will try an analogy to better acquaint you. With nothing else to compare this section of brain too, and having one currently lying at my feet, I have chosen to use a dog with a bone, thus the title. You have observed, I am sure, how when a free-willed dog happens upon a bone in the great out of doors she will pause before approaching it. She will circle it, inspecting it from many angles, giving it a wide berth and testing its scent before creeping still closer, her nose curious, her mouth watering, yet allowing her cautious instincts to remain predominant, as this is a confusing situation. ”Who,” the dog wonders as it creeps forward, “would leave a perfectly good bone right out here in the open where any dog that chances past might find it?” Who indeed? So the dog stops her creeping to take a sly glance around for a moment, her posture tense, her head lowered, her eyes raised wide, expecting… someone? But the way seems clear, and all smells kosher, so her nose sets back to working til she has crept overtop the bone. After one more quick glance she picks the bone up with careful incisors before dropping it again and taking a quick leap back, feeling out for booby-type traps. When nothing happens, emboldened, she will pick it up for real this time, harder, testing its mettle with her jaws. Satisfied she trots, prances more like, proud of her find to some more likely nearby locale where she can lie down in a dewy, grassy spot grown cool and thick under the warm morning sun. Here she will drop the bone again for another look around and give out a happy, slant-eyed pant before reaching a clawed paw to pull her treasure closer up between her knobby knees for enjoyments’ sake.
Now, hopefully you can see what I mean when I say “story bone”.
Because I am the same with a story as that dog is with her bone. Satisfied with this idea I have found I must take time now to gnaw over it, to claim ownership of it, and to give it a good working over until the delicious marrow is freed from it’s hardened shell to the delight of my more delicate senses… and hopefully to the delight of a reader’s as well, though that is not the end game. The real thrill is in finding that my curious nose was right! That there is something up there! Some indescribable sweetness inside that time-toughened shell of mine that has waited all this time to ooze satisfyingly out onto a late-night blue-screen. And I have used it enough now to know the bone is there to be dug back up at will and re-enjoyed, and oh, what a delightful pleasure that knowledge affords me.
I have a story bone!
Of course, I would like to write better, but not so much to the point that I would actually try to improve my writing skills. I mean, I have no interest in taking courses or some other such nonsense as that. It is more-so like a wish to be a better writer; a sophomoric fantasy like wanting to hit the big home run in the championship game, or to have the head cheerleader call me up after school one afternoon straight out of the blue. Writing better is one of those things that is never likely to happen, but is of little consequence regardless, as what I always was capable of was stealing home plate after a bunt single. And Meg Bell (who was certainly no cheerleader in the classical, nor costumed sense) did call me up after school one day with a rather incredulous offer, so… cheerleaders-schmearleaders, say I. Bigger ain’t always better! After all, in the grand scheme of things is a run scored not a run scored? Does it really matter how far the ball travels so long as you have rounded third base and are digging for home? Meg Bell would not have thunk so (but that is a different… and probably better story).
Say, where did I put that darned bone anyways?
But anyways, by wanting to “write better”, in my case I refer to the more refined aspects of writing; typing, spelling, sentence structure… the trivial technicalities of writing, those things that make a story easier for a reader to continue his navigation, and which possibly even makes the writing itself easier (I wouldn’t know much about that). You see, it is never my intent to write for perfection. I write for the juice of it… the marrow. I gnaw the bone. My words, when it is good, when they are good, come out of me with the build-up and force of an ejaculate. There is no time for punctuation. No room for worry. There is only a splatter on the page, with no thought of facial expression, or sounds made, or toes curled as the scene sets, watching as the character comes to life, waiting, his drama building. Not until “it“ comes, that is... the resolution; that deep breath at the ending, along with the realization that this thing that happened to my poor character did not and could not happen alone. There is someone here along with him to consider, someone coaxing him towards the final thrilling paragraph… a faceless, fantasy reader. Eee-cads! But I hope I have pleased this lover of stories as she has pleased me by riding along with!
And that is the time for sad reflection, the end. That is the time to recall the misplaced comma, or the run-on sentence, those uglinesses found in retrospection that will drive your reader into the welcoming arms of another’s words, and you to a lesser writing app where your short-fallings are as yet unrevealed. Proofing is not the fun part, though your reader will appreciate some careful, introspective examination of narrative styling and dialogue. Don’t be proud. Gnaw the bone. Skipping this step while caught up in a writer’s high is an easy though deadly mistake, and has embarrassingly driven more than one typo-prone writer away from Prose forever, thank God.
Fair warning: In your rush to share the tale, don’t fail to tell it well! Gnaw the bone.
I have been guilty of rushing myself, and most certainly will be again. I do get tired of proofing. Especially as my bigger OCD problem lies not with form or punctuation, but in seeking the perfect descriptive word, for the perfectly descriptive sentence. I am more particular about character names and settings than the reader could possibly care about. Those are the kinds of things I notice while re-reading and I change them, and change, and change them again while the poor grammar remains bleeding on the sidewalk in desperate need of resuscitation. It is good that I am not an EMT, else bodies would pile up while I straighten ties and re-apply lipstick.
I am very selfish with my story bone. I enjoy it best alone, so I dig it up in the early hours while the world sleeps. The bone is a fickle and moody thing, so I never know what I will get once it is unearthed. Sometimes it tickles me, and sometimes it makes me sad. Sometimes it is angry and sometimes grateful, or maybe those are my thoughts as I chew the fat of my mind, it is hard to say which, but no doubt it would not happen without the bone, so to it goes the credit. I have fashioned myself it’s tool, rather than the other way ’round. I do it’s bidding willingly, as I would miss it if it went away as I suppose it could, just as it appeared to me, dropped down from out of the ether.
So the credit for any success I have enjoyed through my Prose ramblings, the nine likes and two reposts, must go to my story bone, as I am nothing without it. It seeps the goods out while I merely chew and lick, and lick and chew until satisfied. And once satisfied I carefully re-bury the bone in its secreted spot so that it cannot be found by another. (Oh, to think of the joys Pooky-Bear might discover were she to happen upon my bone, and the stories she might tell from it, heaven forbid.)
So there it is, per ‘Ol Huck. If you want to be a writer, go to school and learn technique. But if it is stories you must tell, damning the formalities, then you‘ve got to be a dog. Go find your bone and chew it. Suck the life and marrow from it. Exhume it often and then re-inter it for another day.
So there. You are now in on the secret, and it is the only way.
Find your story bone, young pup, and give it a good gnaw.