Insides
Slice my muscles.
Break apart my joints.
Assess the liquids that
seep out.
Their color,
viscosity,
make up.
See my insides.
But please
sew me up
before you wake me,
and don't forget to
wash your hands.
I don't want to
stand up
and watch my organs
fall through my
fingers.
I would not survive
the sound of
wet noises as they
hit the floor.
I won't stop bleeding
on my own.
Dress my wounds.
Listen to my heart.
Keep an ear open
to the timbre of
my lungs.
Continue to
kill my pain.
7:45
In bed.
Dog curled against my back.
Clean sheets.
Sunlight forcing herself
on the blinds.
Blue walls create a
robins egg womb.
I still only take up half.
I wake with a start
and forget it's Saturday.
Hands hit things until
I grip my glasses,
my phone.
7:45
Don't have to be up
until 9:00
It is so me
to jump the gun.
Almost 30 years ago
I popped out 6 weeks early.
They say I was yellow.
My head looked like an orange.
I wasn't done yet,
but there I was
naked and screaming.
Not much has changed.
Full of Something
I am full of something.
A water balloon filled to burst.
Stretched to the limit.
Tight with pressure.
Smooth.
Heavy.
Hard to hold onto.
Translucent.
There ain't much wiggle room,
but maybe a little jiggle.
No breathing
or flailing.
No shifting in place.
The grass is bright and
whispers underneath me.
I lay on my back and try
not to think of all the bugs
on the blades beside
or the snakes that could be
hidden in the brush nearby.
If I'm consumed by clouds
up above
I cannot cry.
If I'm not careful,
a sharp pebble could
do me in.
I would burst and
let what fills me
into the soil sink.
My shell shredded.
Colorful bits of latex
littering the lawn and
maybe even the parking lot
beyond.
Game of Thrones, seeds vs. architecture, and the joy of writing.
With all of this trending surrounding Game of Thrones I got to thinking about this quote from George R.R. Martin. For whatever reason it really stuck with me over the years, and I want to take a sophist's jab at deconstructing it.
“I think there are two types of writers, the architects and the gardeners. The architects plan everything ahead of time, like an architect building a house. They know how many rooms are going to be in the house, what kind of roof they're going to have, where the wires are going to run, what kind of plumbing there's going to be. They have the whole thing designed and blueprinted out before they even nail the first board up. The gardeners dig a hole, drop in a seed and water it. They kind of know what seed it is, they know if planted a fantasy seed or mystery seed or whatever. But as the plant comes up and they water it, they don't know how many branches it's going to have, they find out as it grows. And I'm much more a gardener than an architect.”
Growing up I was always instructed to use outlines, perhaps because I was mostly writing expository essays. But even on creative writing assignments teachers would emphasize the NECESSITY for an outline, for proper planning. And it's funny, my teachers used the same 'house' metaphor that Martin does here. You need to have your thesis, the entryway, and this must connect to the logical rooms that will optimize your readers' comprehension. It wouldn't make sense, for example, if you had them cross through a bathroom to enter the dining room.
Is this a weakness in education? Why would it make sense to force children into using such an organized approach, or is that a fundamentally stupid question to even ask? Seriously, I want to know what you all think (comment!).
By structuring our writing with an outline, we have more time to think about our work and make sure that our argument stays consistent throughout the piece. More time, that is, during the planning phase of the piece, when it may have not yet taken on its real form, its tone, voice, or meter in our mind's eye.
Then sometimes you finish your outline, write 75% of an essay, and realize that a different thesis seems more attractive. Was all of that effort spent outlining a waste of time, if you could have come to this realization quicker if you had just started writing? Do you see what I'm getting at? The human mind, does it favor a system of flowing until it bumps into ideas, or is an idea best approached with acuity. I suppose it depends on the person...
One advantage that Martin speaks of in his strategy: the excitement of the process. If you decide on the major plot points before you start writing the story might you might get bored with your work before finishing it. I personally agree -- especially when writing fiction -- because how can you know exactly how a character will act in major plot points if you haven't spent a sufficient amount of time with them on the page, experiencing their words and actions, developing their character?
So perhaps in the end it has more to do with form than style, more with specific personalities than a *proper* way for humans to write. And as for genre, the fantasy authors probably benefit from journeying alongside their characters and breathing the air of their worlds before deciding any outcomes, while an expository writer might die from a fit of anxiety if they just tried to start writing to see where they wound up.
Does this mean that some of us are meant to be creative writers and some logical writers? Indeed it would seem so...
Makes sense to me... What do you guys think? Do you write outlines for your creative work or do you prefer to just get the words down in your essays and then move them around in the editing process?
I'm curious because I want to optimize my own writing process and I'm guessing you do too. So let's hear it Prose!
I love myself I love myself I love myself
the dark circles
that traced along freckled skin
hiding underneath my eyes
imitating lurking shadows
were never caused by lack of sleep
but hatred
I walked along a tightrope
every time you opened your lips
unwoven threads
dug into my skin
callouses piling up like blankets
I used my arms as barricades
because they were the only armor that I ever knew
because you never told me that I'm beautiful
because you never taught me
how to love myself
and even now
even after you've
used up all of your tears
to cultivate a garden
along my scars
a bundle of insecurity
is still etched into my eyes
every time I look at
myself in the mirror
a bundle of insecurity
is still carved onto my skin
a reminder of my demons
a bundle of insecurity
is still resting at the
pit of my stomach
ready to bloom
Ripped bare
the clouds above California
have burned to waste
from their film
inward
thinking about
Hemingway while
I walk my dogs
thinking about
Ask The Dust
and Fante's
inimitable beauty
of language
and the way they both
went out
the beard ate a bullet,
and diabetes took
away the living heart
of Bandini,
took from him
his warm blood
that became mine
and many other
writers' reason
to keep pushing
the sky burning
blue
the fur of my
dogs getting warm
I stop and feel the
street and it's still
cool enough for
their little paws
and my warming
skin
watching the Sun
up high
and remembering
nothing at once
then everything at once
and across the street I watch
two yoga moms stretching
and bending
shoving it high up
from their palms
their shoulders
beneath a bright sky
devoid of clouds
ripped bare
of Bandini
and the
old man.
14 years later (or Studio apartment,1999.)
my dog sleeps upon another
mattress
the same music pours on and on
the same dynamics
1:52 a.m.
naked below the waist
behind this table
scar across my left finger
has sealed the gap
to a kind
of fissure
my skin pale from lack of daylight
money burning fast
hair combed back neatly
a class act all the way
outside I can hear the bar
downstairs filling with college kids
and I don’t feel bad for skipping college
or
the last half of high school
now, 14 years later from those classrooms
those kids down there could buy and sell me
within seconds
but I have a nice television
and a modern stereo
some pages published
out of Reseda
and a lust for failure
unsurpassed
by anybody.