Semaphore
During summers, one of my college professors
would make beautiful Persian rugs, and near
completion, he would tie nearly
a thousand little knots in the fringe; I asked
him what he thought about as he was tying
them, so small he had to use a jeweler's eyepiece
to see his work. And he said without looking up,
Each knot is a hatred I have kept harbored
in my heart. I was stunned and looked at him
but he merely kept working. I pointed to a random
knot and asked, This one? He glanced at it and said,
That is my son's first wife, who left him and drove
him to sadness. I pointed to another; he glanced again
and said, That is mine, when I am ungrateful. Another.
That is the cafe owner, who never remembers my name.
I said, Surely there must be hundreds here.
One thousand three hundred seventeen, he said back.
My heart is vast and capacious, there are caverns of hate.
I went home, saddened. That night I dreamt
I was lost in a great cave, an underground
metropolis of spires and cliffs and outcrops.
On every surface - walls, floor, stalactite,
stalagmite, pebble - was etched my name.
I reached out to touch the lettering, and
my fingers came away raw and bleeding.
The next day I had coffee with the professor
and said how sad I felt he must be.
Sad is not the word, he said, drinking slowly.
He set his cup down and looked me in the eye.
Think of the the thing you dislike most in yourself,
he said quietly. He waited. It was not hard,
this thing was always just below the surface of my
thought and living. You have it, he asked, and I nodded.
Think of the next thing. And the next. Do you
see how their corners meet, how their fingers touch?
Do you hear the honey dripped from one to the other?
They are as salt to salted earth, as sand to billowing dune.
If sad is not the word, I asked as we shook hands
in parting, then what is? Embodied, he said
after a moment, and picked up his briefcase
and strode off.
I thought about him for weeks after that day,
his knots and his embodiment.
I dreamt of fingers interlacing, of snowflakes
whose points melted into one another.
I tasted honey on my lips when I woke.
The thing below my surface grew and one day
boiled over and spilled its banks.
Weeks later, he called me, having heard of my
trouble. Why do you think I make those rugs,
he asked. It is to bind each hatred separately
and apart. When I tie each knot, I go back
into my memory and relive each hate, and it
escapes through my fingers to be caught up
in the knot. It is twisted in upon itself
and cannot escape and return to me; it
consumes itself and immolates.
Sometimes it is hard to find the threads,
and it must be left to ripen, for not every hate
is ready to be purged when you wish it.
Some hates you must live with, forever.
Some hates make your loves stronger.
It is up to you to know the hates you
can live within and beside, what you are willing
to sacrifice to make room for it.
I have made nearly twenty rugs, he said,
in my life, starting when I was a young man.
The heart is cavernous, like the hollow earth.
It bears rivers, tides, rivulets.
It speaks the first tongue and knows itself
even if we do not. A phantom within a shell,
ghostly as the
half-moon
at the root of a fingernail.
Cold Creature woncha cheer!
At birth winners and losers don't matter.
in death winners and losers lie abreast...
you came to life aloud with a sweet sob,
your hands cupping an array of rainbows.
you held your mother's bosom and a
lineage dating back to Eve thus affixed.
like a bulbous floweret you blossomed.
now your eyes have slashed and hacked
things once gold; molested rudely by pain.
you grovel clawing your face, two mirrors
have cracked in the wake of your burdens.
there's a long brook of tears flowing between
black banks of molten mascara at the corners
of your eyes; cold creature woncha cheer!
heard your laden voice bid your own death,
your soft orison at the altar suffused the pews.
all monks grew pale, what a scourge to bear!
awful trumpeting thoughts of wrecking passion,
your face always wet like dew on the aeridinae,
applied rouge to your anguish, yet all the more
cracks display in your woebegone countenance.
at birth winners and losers don't matter
in death winners and losers lie abreast...
spring out of this burdened flesh, you can.
bring back your laughter, start a fresh slate.
reach out your hand; supposing your pain
is a battle indeed worth winning. time is at
hand to restore the soul to its former purity.
It’s Okay to Fail
I know a lot of people who hate themselves because they're always failing at one thing or another--a sport, a subject in school, you name it. Well, you know what? There's no reason to hate yourself for failing, because not only do we all fail...but those who fail are ten times more courageous, and ten times more of man for trying, then the person who stayed home and said, "What if?" Those who say "what if" never get anywhere in life. But the man who tries, and fails, and keeps trying, will go very very far.
SWWC
You know that mistakes don't make you unique. Everyone makes them, we're human. What makes you unique is who you are as an individual. You can't worry about what others say or think about you. You can't think that your mistake is the last one you'll make, that's not how life works. You need to learn to be selfish and take care of you first, everyone else is second, third, fourth, and so on.
You know what works for me when people say they are bothered when I make myself important and take care of myself. I usually say to them SWWC, "So what, who cares!" Then I continue living the best way I can.