It was a cathedral// then//
it was a ruin
all the angels & their cracked wings//
you ever seen girl lose
columns of her spine?
I'm here,
dust-knuckled, scraped, slow-bleeding/
curled like a bird in final rest/ bleeding
the kind of red-black that means
eventually it'll stop.
Can't remember
when the passion used to call itself crimson
except under a shade of lace
& afternoon yellowing.
But in the morning the clock strikes
& the day ribbon-grommets herself into
the picture
& we must rise,
her & I,
always ever her & I.
Lonely cathedral,
lost your righteous hips
still warring with
ghosts of an old devil's teeth:
that's as ugly as it ever gets.
& the dust settles,
& the dust settles,
your knuckles are so pink.
Grapefruit Honeymoon
The window above our bed is open, and there is a hot and salty breeze. Or is it his breath? I open my eyes, brushing the wet ends of my hair out of my face. He is beside me, on top of the covers, and I am underneath the covers and underneath his arms and one of his legs. The top half of his face is warmed by the peeking red glow of the Everglades sun. He looks for all the world like a child— save for the stubble around his gaping, snoring mouth. We were married yesterday evening, an autumn chapel wedding in Florida with family and a few close friends. I am now a wife.
I am 18 years old. I slap a mosquito bite on my arm, then one on my thigh, then one on my chin, then I sit up in bed and shut the window. I feel both matronly and very young, kneeling in my long pink gingham nightgown. He wears just his gray cotton boxers and looks naked and smells like sweat. He is also 18. I want to sit and look at him for a while because he is now my husband, and this is my first morning having a husband ever in my life. And he still is so handsome to me, even today, even drooling on my hair and on our pillow. But he smells like sweat, I smell like his sweat, the room smells like his sweat, and I decide that I will watch him sleep some other time. I want to bathe. I need to make breakfast. And as soon as he wakes I still need to air out the sheets, which will never air out in the sultry Florida air. A fresh new mosquito bite stings on my lip and then on the soft back of my hand.
We are staying for our honeymoon in my great aunt’s farmhouse, and I have only been here once before. The master bathroom has a great big window with no curtains or blinds. I won’t change in here. I will change my clothes in the closet after I make breakfast and then bathe. I splash water on my face and brush my teeth with the toothbrush we share as of last night, since he forgot to pack his. It is the pink toothbrush I brought from the pack in my bathroom at home, my parents’ home. My brother has the purple toothbrush and my sister got the green one. I can taste my husband’s breath. I spit the sparkly blue toothpaste and rinse it down the sink.
The sound of the running water wakes him up, and he calls, “Good morning, sunshine!” My heart flutters like a bird. Through the doorway, he is sitting up and grinning. The sunlight is changing from red to yellow. Hopping back to the bed, I hug my arms to my chest. He wraps me up in his strong arms, kisses my forehead and I laugh. My voice sounds like a little girl. We say nothing else and just sit on the bed. I am so very hungry and have not eaten since before the ceremony because of the butterflies in my stomach. On cue, I hear his stomach growl. My ear is on his chest and I don’t know if I should make a joke or not, and the moment passes, so I don’t. Through the window I see the grapefruit tree and the chickens. I will have to collect the eggs and squeeze the bitter juice for his breakfast. But for now, I close my eyes, listen, and wonder how many of his heartbeats I will have the privilege to hear in this lifetime.
The Original Pornography
O'Keefe saw it, knew it
The Original
Pornography
The way she painted
pleading, begging petals
exposed, eager, yearning
to be seen by different eyes
to have their texture felt by
shifting fingertips
Strokes--
--for other strokes
Waves thrust on rock, the sun
asks seeds to burst, coaxes stem
and thirsting leaves from dirt
Precious nectars drained and
turned to gold, sticky sweet,
leaving alchemy wherever
it may fall
Spores explode, waterfalls rush
and slowly melt into gentle pools
that hide secrets in their grottos,
roots search quiet, determined for
warm, inviting earth, the clouds part
and drench the bold
The ageless coquette, she spreads
and releases, takes and gives,
dominant, yielding, known
to all, possessed by none,
Coy seductress, winking vixen,
star of The Original
Pornography
We see it, know it
ap lit assignment but make it sapphic
and so the leaves have turned to gold today
yet their beauty cannot match your two eyes
so i'll stand here, asking you to please, stay-
and we'll gaze together at the cold skies
under the passing clouds and the sun's sway
i am on my way to you yet again
imagining you on the seat across
from me, smiling at strangers on the train
the one that goes to the upper west side
the one i know you will never see
this room is too warm for the two of us
the walls are closing in on me and you
you pull me closer, closer, and closer
it's too much and not enough- our hands touch
we swing together like no one's watching
this is me trying to make you fall in love
it doesn't matter if you are or not-
you'll never say it- at least not to me
so we'll keep dancing, but only for now
it's not fair, but i'm sorry anyway
for what? for falling half in love with you
he is like a god, who sits next to you
and makes you laugh, while i can only stare
johnny finds oblivion, and goes back home
it’s all an act.
our hair, i mean. the way it falls, i mean.
nobody knows it better than God, except
maybe his lonely neighbor who watches
every morning as he pulls it from his scalp.
there’s an old country song i made up just now,
where a lonely warbling woman rasps on
about the end of the world.
there is a great deal of loneliness in this poem.
it has already been mentioned two times. this poem
has holes and so all the loneliness of the world
has unfortunately began to leak in. (that’s three)
in this song about the end of the world
we were still fixing our hair. you see,
everything is already ending all the time.
we just go on wading through it,
knee deep in the muck and not a bit hopeless.
in this song there were birds, and nobody
understood this bit, why the birds were there,
living their bird lives while the rest of us
were handed an ending, and too soon.
we held it in our hands, like a corpse.
we could not fly, and this is why the birds.
someone wanted to remind us
our hope is a home-grown thing
unfeathered and without a loud call
sung into the morning.
at the end of the street the world could end.
where the road gets uneven and the fence
bears its chain-link teeth the world will end.
or he will fall in love.
or nothing will happen at all,
even with him standing there,
and nobody will build a monument
to this unmonumental moment,
and the old country song on the radio
will go on singing about the birds.
perhaps all of this at once.
perhaps the world will end
and we will just be making do.
the loneliest thing
is watching the birds from the window
(four times) and wondering how they met.
how they all decided they were meant to be.
that they would dance and sing in unison.
i found out the world was ending
when i was only thirteen.
so of course, i fixed my hair.
i went to the park,
i fed the pigeons. i placed kindness
gently in the mouth of my demise.
all this is to say,
today the end and tomorrow the end.
and tomorrow the birds.
close your eyes. it’s all happening already.
i’m semi-automatic, my prayer is schizophrenic, but i’ll live on
i started calling myself a poet my sophomore year
of high school, when the lines and stanzas became as real
as the blue veins in my wrists
even still, even still
it was all for aesthetics
though i longed for it to be real
it was colour-graded insanity,
a shell of an identity
poetry, once a hobby, became a sort of anesthetic
tied a ribbon 'round my pain for the beauty of it
let's make panic attacks more poetic
sorry, lost myself to the numbered hearts for a minute
i even found that i'd avoid some things
that maybe didn't look as pretty in ink
sifting through the twisted thoughts that i think
but you don't want to read
about what's really underneath
the metaphors and similes
i know you like to believe
are all there is to the girl with the pen
there's more to see
you see
this writer is an ugly crier
hates the world but burns with desire
to see it all, take it in,
live forever but meanwhile
she's suicidal
without the action
loves her life but worships distraction
in lesser things
computer screens
loathes herself most days
a self-taught expert in acting
like she cares, even though she doesn't
there are no feelings even if she wanted
to feel something for you
some sympathy, "poor you"
a chronic romantic scribbling haikus
from friends to strangers in one afternoon
she bears the weight of her own unbelief
it gets heavy, all the prayers and white teeth
knowing mom can't sleep
because of me?
is it because of me?