Why Write?
Writing is a funny thing. There are moments where it is a meditation, a prayer, simple as breathing— deep and complete— to clear the conscious for the next day's sensory onslaught. At other times, it's a record, a document— a multi-faceted snapshot— pocketed for later to avoid Memory's insidious hide-n-seek. And at it's best, it's an orchestration of Thought— a map. Sense leading the senseless to the source of Art, by mere suggestion and shared illusion, so that we might all be disabused of Ourselves— our hands and faces pressed against an ice cold reflective glass. Writing is like some unsought conquest, a brain game, to which the intellect is challenged to the Death by the grinning mask of Life itself— with a toast and a jest. Though I may drag my feet, the gauntlet is mine, and I am inexplicably called to pick up the fight, no matter the length or cause of my retreat. And we make gains from time to time— because writing always helps us, somehow, to individually and collectively survive amid the infinite cobwebs that are always crisscrossing our subconscious mind.
#WhyWrite #Challenge #Addendum
musings of a mad man
its like too many traumas
going on at once
im running out of excuses
and words are dripping from the faucets that have become my friends
the scariest part is the not knowing
my next two steps are uncertain
im edgy and odd and off centre
the way he said youre dead broke me into pieces of ash, scattered
brain, heart, soul, chest, fingertips
musings of a mad man
the worst part of town
he made the jittering begin
he detuned the radio
and asked for the static in my ears
bubbling up underneath skin
i havent grazed my shin in so long
bruises and cuts used to be a staple
but im more steady on my feet
or maybe there are less obstacles now
or maybe they all became metaphorical
she left and suddenly i was the worst one again
never able to see the suffering i most likely caused
never ever took the blame even if the evidence was in my mouth
they mustve planted it there
they mustve planted, dodgy
she made me so mediocre
in a good way
mediocre is what we are aiming for
i wouldve killed for normalcy
Life is Mad
The apartment, four hundred dollars a month. The oven is so small you can't bake a normal pizza in it, only those little personal pans, and half the time it decides to burn them anyway. There's a bedroom by the living room with a decently sized closet, but you have to squeeze into the angled doorway. Sometimes my jacket gets caught in the locking mechanism. My zipper fell off three weeks ago, and it's freezing outside.
My routine is mad. Wake up at 6:50 AM, groan. Microbiology at eight, anatomy and physiology at ten, organic chemistry II: the sequel at eleven. Study group for a few hours, then a chemistry recitation, one that wasn't on the original schedule but it's here to stay now, despite my futile efforts to succeed without it.
Everything is tiring. Every day I consider skipping a class, I'm reminded of how much it costs. Sometimes I skip it anyway, because there's a weariness in my bones, radiating into my chest cavity, stiffening my jaw as it atrophies my muscles. I'm not sure what it is, but it ties me to the bed just as surely as it dampens my thoughts, my feelings, my relationships.
Everything is mad. Life is mad.
But I'm alive. The thought pulls me from my apathy. I pick up my phone and text my friend, Talk later today? I hesitate, and then I make an appointment. Life is mad. But if I have anything to say about it, I'll survive it.
Mad Men
mad men walk down wall street.
mad men drive down park.
some shoot at their targets,
far away in the dark.
mad men have mistresses.
mad men have affairs.
others, however,
will kill you right there.
mad men work on madison,
mad men have a smoke,
some men are mad men,
that will kill when provoked.
mad men create advertisements
mad men bring home big bucks.
but the wrong ones will you shoot you,
if you’re out of luck.
mad men have families,
mad men love their wives.
but the crazy ones really
just love taking lives.
mad men are normal,
mad men are sane.
but the shooters, the killers
have gone ’gainst the grain.
mad men are not over,
they will have won,
if we give them the weapon,
and hand them their gun.
HI-LO & PLO
Once I was a master of cards
Of games pitched by skeletons
Of odds and overs and endless bankrolls
Of three bets and percentages
Pot odds and tells
So close to Hell for almost 30 years
I would often smoke camels in the rain
with Lucifer himself
Sun rising over neon lights
Or sometimes worse
Mafia fights
Hundred dollar bills wrapped in old socks
Four AM grind until the odds
would lay naked in my favor.
Cheerio boxes and black magic
A world very few understand
The upper crust of props and shills
Old school died off and left the tricks
To the chosen few
I am one even
I am none odd
I left that game to play with you
So ante up and blow off your stack
I'm watching from the rail
portrait of a woman
we were too young to be legends but he wanted to leave his mark, so he used my skin as his canvas. i accepted. i bit my lips, plugged my ears, and closed my eyes, emptying my body of all it had to offer so it would be ripe for the harvest, ready to be coated.
his favorite color was violet. he dotted my cheeks with bursts of blue, drizzled some red in the background and let it clot. added ice to counteract the swelling as the black faded to yellow. he framed it so he was superman and i was a soundbite. his fist, my breath, speech balloons. he called it pop art.
when he wanted to keep things simple, he'd smash my teeth into a mosaic, just to kiss each piece and place them in rows and columns, rows and columns, each line etched by god. he collected the colors my gums bled in vials. he called me a stain. he would not work with pigments that had no purpose, he would not rest until my mouth decomposed to silence, until my molars aligned with the nails on the floorboards and all of my matter was squared away in boxes with walls ready to rupture.
eventually he knocked them over like dominoes and swept them to the side. cubism, he said, does not look good on you. he asked me to pose with him and i obliged. i wanted to be good for something. as we undressed, he asked me not to make a scene, told me his art was only a summary but it still had meaning, said if i thought i was more than a crude expression of reality then i was dreaming, called me a stain. he said he wished he had chosen a pigment that he didn't have to strain. he told me to detach my head from my soul and let him in, let him in, let his motifs cull. he drew his brush and began to paint, began to pant, and brushed shapes across my chest with his lips, each circle the size of my breasts, each spiral bigger than the next. he said we were an infinite pattern, an illusion.
when i had nothing left to give, he hung me up at the bar next to a portrait of a woman, bruised like a peach.