Smile of Bukowski, Black Sky, The Art of Love, and Ruins of Man.
Seven writers come down with fire to make this one of our favorite episodes in the channel's history. Ranging from new blood to legends, these pieces put our 60th episode out into the world with a grip of steel and blue-lava beauty, mixes of orange, and a touch of evil to keep the thread floating upon the wind, seeable, but unreachable to remove.
Here's the link to the show.
https://www.youtube.com/watch?v=aKWoKWK7nXY
And here are the pieces featured.
https://www.theprose.com/post/826733/i-know-why-bukowski-smiled https://www.theprose.com/post/826842/the-double-headed-scepter-of-doubt https://www.theprose.com/post/826569/tot
https://www.theprose.com/post/826584/the-art-of-love https://www.theprose.com/post/826617 https://www.theprose.com/post/826436/and-i-am-vapor
https://www.theprose.com/post/826316/black-sky https://www.theprose.com/post/827138/swallows https://www.theprose.com/post/827447/in-due-time
https://www.theprose.com/post/827090/people-ruin-everything
And.
As always.
Thank you for being here.
-The Prose. team
Redcheeks
I came into this world two days late, mad as hell. My parents were nine years too far into their marriage. My mom was two years from an overdose attempt and my father, five years from a decade-long disappearance.
My grandfather-- who would later assume my dad's role-- had the quirk of nicknaming all the babies born into the family. Sometimes it took a while, as he needed time to reflect on looks, personality, and memorable moments. Then he would christen them with whatever he found fitting. But mine came in an instant. As I screeched in my mother's arms, wailing in protest, nostalgic for the void, her father pulled me into his age-spotted arms and I settled, growing silent in his embrace.
I like to think that my soul recognized his, that there was some part of me that carried an innate knowing of the traits we shared. But that's a story for another chapter. If you're the skeptical type, then it's a tall tale for another time. My Papa looked at me, and I looked at him, face still flushed with the remnants of my tantrum. On that Tuesday afternoon in the late Southern spring, my nickname chose itself.
Screaming Redcheeks.
Papa was the only one who called me this, and usually shortened it to Redcheeks, rarely calling me by my given name. There was even a paint stick with SCREAMING REDCHEEKS scrawled onto it with a fat-tipped Sharpie, kept atop the china cabinet for the days in which I lived up to my namesake. My tantrums became expected, routine even. I was set off by nearly everything, even trivial matters like the dog not listening or an especially tricky level of a computer game. I was (still am) argumentative and questioned the validity and authority of everyone and everything.
With my history, I find it strange that others describe me as calm or stoic. I was noted as being a polite, intelligent, and motivated child, though that sentiment decreased dramatically in my teens. Anytime I'm complimented on my nature, a montage of screaming fits, unfeeling language, and brazen manipulation flashes through my mind. I think of the year I smashed all the Christmas ornaments during a tantrum, or the time I threw a dining room chair at my mother. I see my children's worried faces and my patterns repeated within them. Then plays a vision of my marriage on the rocks, with my husband wavering on the cliffside, peering into the depths of Irreconcilable Differences.
My temperament breathes in dualities. There's a consistent ebb and flow, tempestuous currents of mood and mentality. There is understanding betrothed to denial. Warm embraces are frozen in a duel with cold calculation. Within hope lives hopelessness. In the absence of mania, comes depression.
I am Screaming Redcheeks. I am Marissa Wolfe.
Somewhere, within the gray of black-white polarities, there have been touches of silver that slow the pendulum just enough to offer glimpses of what healthy, happy, and hopeful looks like. Just enough to strive for. Just enough to snap the paint stick and depart from the path of rage. Anger is birthed from sadness. Sadness is birthed from pain. Pain roots itself, unyielding, into the grooves of the brain and chokes out the chambers of the heart.
And yet, it has been my greatest teacher. My greatest motivator.
The flame-soaked phoenix wails to the heavens, wondering why she's been forsaken, but within her scattered ashes is the chance to start anew. She reforms, entrenched in her cycles, and cries a different song, more knowing than the one before.
At the Indianapolis 500, They Spill Milk on Purpose
I am crying without reason,
again. I am teapotting all over the place.
Every breath is a mess. There is no melody,
or rhythm. Just fusses of hair and tufts of rain.
And the birds are howling.
And the dogs are chirping.
I start to write poems backwards,
beginning with the end. Closure comes
and opens the door, carries the eyes
over the threshold like a bride.
And the trees are cracking.
And the sky is rooting.
No one can justify their chaos,
except science. Disorder means things are working.
I suppose that’s a reason for living.
I suppose it’s alright to drop a glass.
Think about it: who would we be
if it weren’t for our weaknesses?
Our bodies would be so dry.
Amarinthine
You’re living in my stomach
Right in the pit of me
Encumbered
Pounding the walls
Disrupting sleep
Gorging
Feasting veins
Fingers, clawing
Desperation, scraping rib cage-prison
Kindling riots, licking heated discord
Peel my husk
Eat me down to pulp
Pull the ache from my mouth
Lift the shadows out my throat
Your hands, oil spills
My skin, toy-soldier alert
My heart, hummingbird wings
My breath, phantom spasms
My breath, provoked
My breath, exacerbate
Heightened
Unending
Interminate
My mind is a cesspool
I like you
wet and heavy
PUIULE
he said, you light them up.
you dream about touching
him. crumpling his sleeves like
sandpaper. sand
falls across the bed like
his body. which is folding, folding;
you love it unbelievably.
coming home and finding
the door unlocked. you press
into the latch, heart like
shoreline. pounding, pounding;
the rain that is his mouth, his hands
under this night-black
sweater that is too small.
he pulls it up over your head and
breathes more. a little more
than you know he meant to.
what else you know — you never
left home after all.
white noise, sunlight
at the edge of the windowframe,
shrinking back when he
rounds the corner from
halls that also recoil, refrain.
and do not stop him
as he comes to pull your
heaving heart out from in between
your thighs. shaking, shaking;
like being birthed again.
you hold back the evening tide
which is gripping the coast,
struggling against a desire
to rush back out to sea, where all
there is of heartbreak
is waiting, collecting like
silt. of all the windows you might
have touched your tongue to,
this is what opened.
he parts you, parses you, never
locks the door as he leaves.
you came back with roses
and he was holding a pillowcase,
fluttering against the
fan’s oscillating face.
he turns, a little like domesticity,
starts talking about the sun,
how it rose
when you walked in. he takes
the roses. breathes.