The Piss Off Parade Is Coming To Town
The you can piss off parade
Collective jar of flies
Made its final rounds.
Chew the scenery
If you have a meagre minute…
“I’ve had enough”
The muse screamed
And deaf were the envious
Though she gave up the ghost
Vacating its former lot
Among the plebeian potluck
Spooned out for the naive brigade.
She drew her intake vapours
Through a smouldered wick
Cracked desert spillover
From cracked arrow
And pointed purse lips
For how the colossal truism
Or what have you
(If you’re starved of vocabulary)
Is that the eminent dim bulbs
Overstepping both logic and reality’s fist
Are shrouded by way of turncoat mists
But would you listen to her
Should you stumble upon a poem exiled
To an unflavoured isle
Seasoned ripe
But doomed to obscure plains
With pettiness and pride
The silly culprit
Pulled trickster lobster back
From an even sillier rabbit’s hat.
The brittle hearted muse
Was born to battle
Amongst a sunken halo’s
Blistered starfall
Charged with disintegrating furies
Their bloom blood ballet
Winking above tedium’s crest
Across a charcoal broiled sky.
And this is a pointed message for you
And this is a liturgy for I
When ignoble parasites crawl meekly
And kiss Jesus cheeks
With Judas ire
Best to step on them
Goeth the time ragged rhyme
For the vainglory stride
Crushes the poetic spirit
Because Dassendorf boots
Resound a drill hammer echo
Recalling the collective stampede…
And serves to the discerning
And additionally the wise
That the blind leading the blind
Cursed with quick reflective
Yet cursory flitting eyes
Are a servanthood of ingrates
Becoming the very machine
They once railed against
In a black and blue melee
Or an insider fight
Warring with each other
And eaten by homely pride.
Stepping off the floated parade
Says one who is wise
Because you’ll waste all of your pearls
On the backstabbing swine.
You called me pretty
“The moon is beautiful isn’t it?”
I asked you that with full transparency
And despite the minimal distance between your shoulder and mine
You didn’t seem to mind
You flashed me a smile
Then before I knew it
Our fingers were intertwined
No words were spoken but an answer lingered in the air
Finally, you caressed my hair and answered
“I think the moon is beautiful.”
Somehow I misheard that moon as you
But I didn’t really care
“whatever our souls are made of, hers and mine are the same”
my muscles ache
and my soul cries out for you
it needs you close
this body of mine yearns to rest in your embrace
but it is my spirit
that constantly calls out your name
( that has not changed - it called for you
even when it did not know
how you feel
just inches away )
my being always cried for you,
and rebelled against the injustice caused by the lack of your presence
but now it is even LOUDER
singing about you after days spent in the turquoise depths
of the water
that soothed us both.
and after joining in our little sanctuary
by the ocean and sand,
it cannot stand the distance it has away from
your fingertips,
from your skin,
your touch
oh how it HOWLS at the most random moments
I am unwell
disconnected in the world I live in
breathing too shallow, too mundane to suffice
when the only time I can breathe deeply is by your side
this soul is lost even after given the map to its home
its pieces are not in place
I am a dislocated shoulder
constantly throbbing for you
I am unwell
without the warmth of my February sun
a winter's warmth glow
that carries heat throughout the year
I feel how you ache for me
and it's a pain that hits me double
as it is a pain that is also my own
it is the same
this ache filters through every layer of my skin
it vibrates in my muscles
it is a constant cacophony of sounds rushing through my bloodstream,
I do not speak all of this often
actually it is quite rare
but what you say with words
I say with my stare
I sing in the silence in-between that I know you sense
and hear it in a way
I am unwell
I function,
I attend life,
I attend people
the air in lungs is without any damage, that is true
and yet, in the end, I seem to be covered with tiny holes
a stained colored-glass letting in light
but not holding in warmth for too long
Lying is Only a Sin if You Get Caught
“I need to go to a hospital.” is easier to say than “I’m losing my grip on reality.” It’s actionable, simple to understand, and lacks hesitation. However it does beg the question, why? And really, how do you describe it? The feeling that if you reached up you could peel back a corner of the sky like double sided tape. The hour long showers where sometimes you forget your name. Or the eighteen voice memos you have saved on your phone, where you whisper your desire to die like you’re already at the funeral.
It’s a nice day outside, actually, when I try to explain myself. We sit on the porch together, my dad and his girlfriend drinking sauvignon blanc unaware that yesterday I spent fifteen minutes looking up what the best thing to drink is before you overdose. My tongue is dead weight in my mouth, and I can’t seem to get it to cooperate. Instead I start to cry.
In the distance, I hear myself say, “I want to kill myself.” and my dad asking me if life is really all that terrible. Does he not do enough for me? Am I not grateful? It is an uphill battle from here. Because when you’re mentally ill and you need help, not only do you need to gain the courage to ask for it, but you need the moxie to prove you deserve it, too.
Suicide is sticky. Once you’ve said the word, there’s no taking it back. For how long, they ask, have I wanted this. I reply, “A few months now. It’s getting worse.”
I don’t mention the cravings in middle or high school. It doesn’t matter now. And then the penultimate question, “You know I love you, right?” Which is to say, “Isn’t my love enough to keep you alive?” And while the answer to the first is yes, the answer to the second is no. It will never be enough.
Just looking at the shiny blue convertible my dad purchased as his midlife crisis pisses me off, but when he decides that it’s the best vehicle to drive me to the hospital in, I don’t say a word. I haven’t said anything substantial in a while anyway. I wasted all my words on a voice recording no one will ever hear. Instead I slide onto the cream leather seats and let him pick the music. I’m staring at my hands when he asks me, “What will you do if they say there’s nothing wrong with you?” And I respond the only way I know how. “Then I’ll kill myself.” He stares right through me, and for a fleeting moment I wish he would look long enough so we would crash.
I decline to allow my dad to follow me into the triage room. There’s something embarrassing about this, like I’m weak, like I’m broken. In any case, this is something I do alone. It’s all very clinical, this process. I leave behind my soft sweatpants and fuzzy socks for paper scrubs and socks with grips on the bottom. My dad comes in to say goodbye. He asks me again, “Is this really what you want?” I can tell it’s breaking his heart to see me like this, but then I remember–
He’s screaming up the stairs, taking them three at a time, my name like blood, over and over again. He’s slamming open my door and shaking me all over. It’s something I’ll never forget, this look on his face, fresh panic and old laugh lines. When he realizes I’m awake, he sits on my bed with me and holds me, just for a little while. “The school called me,” he says. “They said you were gone, Ed, what happened?” Your courage is a small coal that you kept swallowing. So I do it, I swallow the coal, and I say,
“Yes. I’ll be okay Dad. I love you.” And he leaves. The room they lead me to has a rounded piece of furniture that somewhat resembles a chair, a bed that looks more like a massage table, and a tv bolted to the wall with a plexiglass covering. The bulb above me is bolted to the ceiling as well, dead flies bunched up under the stream of light. The doorknob is sloped, and there’s a large gap under the door the size of my fist.
After I’m changed, someone comes in and takes my vital signs, I sign a bunch of paperwork, and answer a lot of questions about my physical health. They tell me a psychiatrist will be in to see me soon, but by the time that they manage to make an appearance I’ve ripped off my hospital bracelet and started coloring on my gown with half a red crayon I found under the bed.
He’s asking me the questions I knew would come, but it doesn’t make it any easier. Before I know it, I’m floating toward the ceiling, investigating the cheap panels they have up here. I’m still answering the questions, somehow–I’ve always been a great multitasker.
“I read that paper I had you fill out for me earlier, Ed. You wrote that you have been thinking about hurting yourself every day. Can you tell me more about that?” But what more is there to say? When I’m in a car, I want it to crash. When I’m at home, I think about the knife block in the kitchen. When I drive past the river, I think of the non-action required to let myself drown inside of it. I’m eighteen, Doctor, I could just buy a gun. I’ve picked out a spot, deep in the woods behind my childhood home, the first and last place I’ll feel unsafe.
Instead I tell him about my birthday coming up, the way that the fear creeps in. I wasn’t meant to make it this far. I’m living on borrowed time, and God wants it back. But this isn’t enough for him. “Do you want to commit suicide right now? Do you have a plan?” I rocket back into my body with a speed that makes my teeth rattle. I’m in a room meant to stop me from committing suicide in it, so no, I don’t have a plan. Instead of saying that I go quiet, but he takes that as dissent and starts telling me that he doesn’t think I’m a real danger to myself.
There’s a maelstrom inside of me that’s gone electric. Angry isn’t a good enough word to describe it. There is no more drinking of their acid, there is no more apathy shell. The words come out of me at a high volume and for once I don’t stop them.
“I swear to God, you better put me in a fucking room before I kill myself right in front of you, I don’t care what I have to do to make it happen,” I say more and more, holding my life hostage. Begging someone to care that my life is ending and I’m watching it in slow motion. It feels like devastation.
After this moment, time is a blister. I lay in the bed for hours, mindlessly watching Bolt on the shitty tv in my room. I use the bathroom, splash cold water on my face, and stare at my own reflection. It’s distorted in the mirror, which is cracked and has another layer of plexiglass over it. I don’t recognize myself, and every sensation is muted, I’m walking in a dreamland. Someone down the hall is screaming, but I just shuffle back to my room with the door ajar, ignoring the police running down the hallway and the beeping coming from the adjacent rooms.
I don’t take in much after the paramedics show up and strap me into the stretcher. I’m being moved to an inpatient facility, I know that much, but everything has taken on an unreal quality. The next thing I remember is standing in the shower room at the hospital, holding a pair of leggings and the long sleeve that I’m going to be living in for the next week. The tiles and walls are gray, and everything is sloped– the showerhead, the door handle, even the accessibility rails. I briefly consider killing myself, how long it would take for someone to notice, but I would have to put some serious effort into thinking up a plan and I just don’t have the energy for that at this point. So I shower, one step at a time.
The time I spend inside this hospital passes. The doctors put me on a lot of medication– some good, some bad. I’m woken up every hour by a nurse opening the door, shining a flashlight on our faces to see that we are still alive, and then closing the door again. It reminds me too much of–
–a hundred nights, sleeping in the basement and listening closely for heavy footfalls on the stairs. Miranda Lambert is leaking through the door until it swings open to reveal Mom, red bandana and knee brace on, humming with no room to breathe. She flips on the light switch and I squint in the sudden brightness, checking the time on my phone; two o’clock in the morning. She starts tearing through my closet with a vengeance, succumbing to the Ritalin rush. There is no stopping her now, so I just know–
I’m awake all night.
Some of the medication that they put me on is good for me, lowers my anxiety and the shaking and the never ending rush of thoughts, but none of it seems to end the disconnect that exists between me and my body. I can’t seem to come back to it. I count the objects around me, categorize them by color, shape, sound, I distinguish my position in space, I name the streets I grew up on, I ground myself, over and over again. But it doesn’t seem to matter, and I’ve convinced myself it’s not working because I’m not real. In my weakest moments I think, If I say something, they’re going to notice, and then someone’s going to come after me. I can feel my mind sliding, but I just can’t bring myself to care.
Slowly, the people that I’ve come to know in the hospital get discharged. More people come in. There is a never ending rotation of people needing help. The new group who come in are more likely to be on Suboxone than Wellbutrin, though. They remind me more of my mother than of myself. I want to leave too. I’m feeling less like I want to commit suicide and more like I don’t exist, which is good enough for me, so I start to smile more, I attend groups, I tell my doctor I’m feeling better.
On my last night in the hospital, a woman who’s detoxing comes over to me and strikes up a conversation on a couch. She wants to know how I got better, she says. I just look so happy. I give her my best smile and for once, tell the truth. I lean in close, so that I can smell her sweat and her God-awful coffee breath. “I lie.”
I’ll Meet Myself There
"When I first met Anna, hold on, when was that exactly?" I trailed off.
"You've always known me, silly" Anna sat there, knees tucked under folded hands on a yellow floral loveseat, eyes wide and a smile that had seen better days.
I cleared my throat, "Of course, yes how silly of me. Let me start again. Today is October 3, 2024, and I am interviewing Anna, for anonymity we are not sharing her full name."
Anna nods but look away, as if she is afraid, as if... no, we cannot go there yet.
"Okay, Anna, we've known each other for a while now. I hope you are comfortable with me in your home..."
Anna looks at me then, her eyes are a blue that can only be described as bright with white flecks, "Like waves crashing..." I shake my head, that memory is not meant for this interview.
She nods again, waiting for me to begin.
"We are speaking today because of a project I am working on, telling your story, practicing for an autobiography."
She stares at me for a second before saying, "You mean 'our' autobiography."
"I, er, yes you're right 'our autobiography.'" I stammer. "If you had to describe yourself in your autobiography, what would you think of first to illustrate who you are?"
Anna looked out her window then and sighed. She did not answer for a minute, and I knew better than to interrupt her thoughts.
She looked back at me again, "Can I tell you a story?"
"Uh, I mean, yes of course, this is what this space is for, please go ahead." I shrug and wave a hand, motioning for her to continue.
"Well, let's begin at the beginning, shall we?"
Anna became very animated then. She spoke of her early memories in Lafayette, Indiana, of when she first remembered being truly afraid and then when she first remembered feeling truly safe. I noted how fear came first.
She went through her childhood in a sweep of words, painting pictures of a stout little girl with a blunt bob, barefoot and always in motion, chasing her 3 brothers around their yard, and "making friends with the night" as she put it.
Then she paused, "But as you know, this girl could not keep her innocence for long. She had to grow up very quickly."
I nodded all of a sudden feeling choked up.
"Little girls... well we don't really get to take this girlish/wide eyed view of the world with us into adulthood. We pack up these little dreams and pretend they will come back to us, and maybe they do, but only in our dreams." She looks out the window again, her eyes glazing over, "I am ready to tell you the real beginning of my life now."
I found her eyes then and said, "We can be ready together Anna, after all we were there together."
Anna looked at me sadly, "Yes, I suppose we were." She paused, "Then you know there were many years where we were right next to each other, but always out of reach, right?"
I looked away, "That would be my fault, I did not want to see you during that time, it was... it was too much."
"I know. It was tough for both of us." She smoothed her hands over her legs as if it soothe the churning emotions welling inside her. She looked up again, "It was when me/you were raped." She paused, letting that sentence seep into the air. "I remember you were above it when it happened. You saw it all, I can't attest to anything more than what was through your eyes."
"We don't need to go through the details," she trailed off. "All they need to know is that after, well after we were separate. I became the old Anna full of hurt, and you got to move forward. I will be stuck in one place for the rest of my life, but you...
you get to move forward."
"Anna, wait no, they are not ready to hear this."
"No, you aren't ready to hear this." My former self looked at my fiercely.
She seemed to vibrate an anger I only sometimes still feel. As if she is trying to claw her way out of my subconscious and burn the whole world down.
When I imagine a conversation with this former Anna, it always seems to go like this.
A past and present me converging, and always it feels messy and dark, and I end up wondering when it will ever just be simple.
I am sitting in a Cafe, as I write this. My mind, so good at disassociating, went far away for a little while, my fingers typing faster and faster, thinking,
"Maybe this time I will write my story out of the tomb of memories it seems to be lost in. Maybe, I will be able to find that Anna again. All of them. Maybe I will get to meet them again, greet them at my table, hug each of them, tell them I am so sorry. Tell them you did nothing wrong, and when you did you always asked for forgivingness and that counts for something.
It has to.
Right?"
The Autobiography of a Fallen Star
I was born on a sinking island under a waning moon. They shrouded me in galaxies and fed me broken stars. I was woven into constellations and named after love.
My fate was etched into the universe and written by the night.
And although I sometimes wish I had remained in the nebulae to be cradled and embraced forever by the moon, I know I am not just another star in the sky.
I am exactly where I’m meant to be; besides, I can always look up and feel the comforts of home.
My parents had me in their early 20s—not too young, but young enough. I once asked my mother if I had been unwanted. "No," she replied. "I wished for you for a long time." She thought she'd never become a mother, but she did—four more times.
I was born first, and the eldest children are the experiments—especially daughters. We're the role models; our job is to teach and guide our siblings through life.
I don’t mind being in charge—sure, sometimes I get called bossy, which I pretend to hate but secretly love. It reminds me of Kristy from Ann M. Martin's The Babysitters Club. Kristy is the head bitch in charge—and like her, I relish it.
Life was simple back then. I have an enormous family and was always surrounded by love. When I say huge, I'm not exaggerating—both my mom and dad have eight siblings, and as a result, I have countless aunts, uncles, and dozens upon dozens of cousins.
When I wasn’t with one side of the family, I was with the other, playing, laughing, and annoying each other, as close family does. We were so close we didn’t consider ourselves "just cousins." We were siblings, and we still are. Some bonds never break, no matter the passage of time.
To Move Forward
Nightfall
When the rolling waves do come in
So do my steps fall back into infinity
This moonless night befalls me
The only light—the glimmer of my tired eyes
The ribbons have frayed
The papers burned away
The fragments pierced together
Crystals—
Time has pressured them as they lay
So I thought that can only be the way
But alas
This last puzzle?
A meaning trapped in paradox
———————————————
Midnight
No questions nor answers tell
The moment of its trigger relinquish
No tears nor silent scream
Register when the bell tolls
Of gears and cogs
This heart of issue
Rolling around
Can emotion ever be divined?
Toy nor prison
This last maze of mind
Attempt is failure
But failure never tried
No entrance nor exit
But victims all the same
What shall I make of this
Am I even sane?
Does the threads of my tapestry
Begin or ever end?
Do the patterns of this flat painting
Ever storybook the frame?
———————————————
Late
Each rounded layer cracking
In the edges of this black stone
Do the waters cry through
Summons of the past fading away
All blank canvases now
To tell no more of you
No traveler will find me
No weary hero will see me
No specter of the future
Shall haunt me
It’s just me now
No stars to guide
The whispers of the gardens
No longer sound as sweet
The monsters of my childhood
No more than anger seethe
What trails that I walk
Now have me as lead
Lonely frontiers
I understand you now
So too does the silence speak to me
———————————————
Asleep
These last years shift the seconds of dreams
No edge nor boundary
The brushstrokes blend
These bitter hues
Turning back time
To where I began
Meant running toward
Frail eternity’s land
Struck—
The hymn codas once again
But the notes carry no heavenly repose
My own voice carry the lows
The lonely and final repeat
Weaving these impossible measures
For some grander symphony I will never know
Stepping in time to this mad waltz
I thought I was doomed
To this
To me
Suffering fate’s loom
———————————————
Dawn break
But fate and faith are a duo
Light and life within
Darkness divided
The rays come true and through
It’s just me now
No stars to guide
It’s just me now
The dawn burning eye
Never will I know the truth of this
Even as the puzzle falls apart
Beneath it lies another mystery
Layers of perpetuity
But as I sing the memories of the past
The future so faithfully comes forth
The Harmony of the End?
No—
Of Tomorrow
Not for me nor for you
Of the days of all of us
———————————————
Mourning
Acceptance of the laughing tragedy
Are smiles so bitter
Sweetness in lieu
But once began
Even with no end
Do the kinder words
Come falling through
Paradox me this
In the deeper waters
An answer in riddle
So shallow but so simple
But all the more true
Even as the silt did rise
The waters never did forget
Of the darkened stone
Do fall apart and drag away
Did the clearer rivers flow
For another today
A bygone conclusion
A solution so absurdly obvious
For happiness, for peace, for serenity
For me and for you
All of us
Humming within
———————————————
Zenith
The story shifted
The narratives transforming
The past ever so gentle
The present writing
The futures of blue
Where the sun shines
My brighter eyes
Goodbye nevermore
As the stone rolls away the waves
I do say
Hello to another form of you
Even when all is lost
We never do lose
The permanent junctions of
Crossroads formed
Where others came to you
And you to them
Where the path taken
Is a thread woven
Perhaps gold and green tomorrow
But never without its true hue
Our histories speak
Of the words of the present
Showers of wisdom
Brought colors of yore
For Hope
Of wings and feathers
Aeternus Deus
From me
From all of us
I’ll never forget
My promise to you.
Judas tree
He’s as brave as a coward
who condemns.
He’s as guiltless
as a liars
confession.
He’s as wise as the steps
taken on the plank
whose ends
he knows
are death.
He falls
like a bullet
descending,
with no intentions
to relent.
And,
he swings
like a child
who’s
lamenting
with his face down
in a desolate playground.
He rocks
like an old
wooden chair, left alone
on a parched wood floor
squeaking like a rusted door,
spent
too many days in the rain.
He creaks like a
dead tree.
Billows groans
thru a somber forest.
Swaying back and
forth
in a subtle
breeze.
Winds whistle songs thru his
hollow bones and skull, like
ancient natives playing wooden flutes.
He hangs as
heavy as a weary mans chest
downcast
his face!
Wishing he could change the past
Wishing he could run away…
He hangs-
He hangs.
He slips into the noose
of self defeat. . .
He hangs with a hopeless
sorrow -
dangling
strangled
from the Judas tree.
Bitter shame
Rots his bones
to the marrow.
A victim
of his own
demise.
Crows plucking at his blackened eyes
Once beloved, yet
departed
like a lifeless limb,
bruised and black
from decay, crum-
bling
to pieces- in-
dismay.
Back against the deserts setting sun
Behind a bold and tragic
Silhouette. . .
His countenance-
a saddened shadow;
Behold
The Man
Who wallowed
in regret,
Who cast his jewel
before the swine, trading in his life
for a chattering-chapped
Skeletal wind chime- gripping
30 pieces of silver with
bony fingers,
he
hangs,
he
twists,
he spins.
Raven forsaken scarecrow
Iscariot betrayal.
Restless,
suspended above the earth
for the fowls of the air,
he lofts a wreaking scent that draws
the dogs to his feet.
I’m gonna be honest
I don't know what I'm doing.
I'm laying in bed, writing on my phone
but it all seems fake; a glorious oversimplification of life
none of it seems real
Except, maybe, this.
Unsure, I second guess every step
every sentence stem
every choice in plot.
The one thing I do know is that I love stories.
While writing I think of myths from long ago. I wonder what happened to the mermaid cursed to roam the sea or the daughter who lost everything. I wonder if I'm the villain. I think I wouldn't mind it. There's a sense of freedom to the notion of doing what you want, but I'm not. I'm still that shy little thing that can't stand up for itself. I'm the weird little miscreant; the one everyone likes. I'm always laughing while dying on the inside, hoping someone sees the mask, wanting someone to notice I'm in pain but not daring to break the mold.